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Zamalek, Cairo, Egypt.
Ayyam Gallery: Safwan Dahoul
Cairo’s newest art show room Ayyam Gallery recently opened its doors in Zamalek. Neither the gallery nor the exhibiting artist are newcomers to the Middle Eastern art scene; so the well-travelled art enthusiasts among us will be pleased to check out Safwan Dahoul’s exhibition, Still Dreaming, at Ayyam Gallery.
Located on Abul Feda Street in Zamalek, the gallery is the newest addition to the Ayyam family of art spaces. With branches in Beirut, Dubai and Damascus; Ayyam has built a reputation for exhibiting fine art in a beautiful setting. Cairo’s Ayyam is no exception; this may well be the city’s most sophisticated gallery.
Gated and monitored, the gallery has a peaceful front patio with ground lights and a mosaic wall; a scene set for creativity and class, which is only expounded upon once you enter the building. The gallery is predominantly white (including the two cushioned benches near the entrance) with dark floors. The lighting is professional, not ill-placed or glaringly bright as we sometimes see in other galleries; and even though Ayyam’s space is not very large, it seems to have been designed specifically for displaying large canvasses.
This all works brilliantly for artist Safwan Dahoul; because his exhibition Still Dreaming consists of less than a dozen massive canvasses painted in black and white, with shades of grey and cream. The striking paintings are mesmerising, not only for their size; but also for the subject matter and the artist’s contemporary style.
The paintings in this exhibit are similar to some that Dahoul had painted several years ago when his wife lost her battle with cancer. Most portray women lying in the foetal position, some supported by figures with diminutive angelic wings. One painting shows a pregnant woman with an exposed womb, while several others show close-up portraits of veiled women.
The artist captures the femininity of his subject beautifully, while a certain masculine edge is added through geometric patterns in a number of the paintings. The work is emotional, at times haunting; yet it has a softness and approachability that makes it relatable. Space allowing, any of the paintings in this collection would make a dramatic and aesthetically intriguing addition to a home.
The exhibit will run until November 30th, 2010; so be sure to check out these incredible paintings while they are on display; and look forward to more expertly exhibited art in Ayyam Gallery’s future.
Eyes are the windows to the soul; an old saying that was perfectly demonstrated in Zamalek Art Gallery’s current exhibition, ‘The Magic Thread’.
‘The Magic Thread’ features a collection of unique, childlike and somewhat eerie figurative paintings by Syrian artist, Souad Mardam Bey, who, through her artistic talent and devotion, conveys intense feelings through the eyes of each painting.
Each painting portrays a different character; only it seems that the same captivating element in each one of them is the eyes, which seem to be filled with some sort of sadness or longing that can be further understood differently.
One particular painting shows a female figure –a child most likely— with her head titled to the side, smelling a white-petal flower with large longing eyes which seem to be gazing right out of the canvas. Everything about this painting is simple and bland; except the eyes, which are much more detailed and slightly bigger than one would expect which draws the viewer in even further.
The background of Bey’s paintings are simple and exist purely of one flat colour; which is why more attention is drawn to the innocent childish figures painted on top portraying a 2D style, similar to the one you find in children’s books.
Another painting that stood out depicts a young girl figure or doll, dressed up in a floral pink dress and make-up, looking into a mirror with large sad eyes, a common element in many of Bey’s artwork.
‘The Magic Thread’ is a title that not only draws on the childlike theme in this exhibition, but also evokes the idea of children’s toys and dolls coming to life, especially through their expressive eyes—which seemed to be the central point of this exhibition.
With its ray of unique large portraits and simple childlike style, Bey’s exhibition is without a doubt captivating one and it succeeded to attract a large crowd among art connoisseurs in Cairo.