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Gallery Misr: 'Tank Girl' by Nadine Hammam
Every now and then you find an art exhibition in Cairo that is completely different from all the others, to the point where you can’t stop Tweeting about it or taking pictures to put up on Facebook. This is exactly what happened when we stepped into Gallery Misr where ‘Tank Girl’ by Nadine Hammam was on display.
The first thing that caught our eye was the blue banner covered in pink letters, with the words: ‘GO LOVE YOURSELF’. The pieces, by Cairo born and raised Hamman, are mixed-media and focus mostly on gender dynamics and investigate the relationship between the public versus the private, the external versus the internal, which are key to Middle Eastern society.
Tank Girl is about the most primitive search for attention, affection and passion. It highlights the elusive yet complex relation of love and sex; something that, in contemporary social context, ties into the traditional overbearing Egyptian society. Hammam’s paintings suppose a stronger, more independent and more elusive female persona.
From an aesthetic point of view, Hammam’s pieces are multilayered and her use of colours pops. One example shows a female figure with a glittery bunny in between her legs, with text reading ‘Just Love Me’. The same colours are used in most of the series; mainly primary colours red and blue. Her piece ‘The Girl with a Hole in Her Heart’ features a woman sitting down with condom wrappers in the place of her heart. One of the best pieces, carrying the title of the exhibition, is ‘Tank Girl’. A woman sits with her legs straddling an army tank with the phallic shaped turret of the tank in an erect position and seems to be ejaculating rats.
Another very nice piece shows a woman sitting in a seductive pose with ‘You said you wanted me, so here I am’ written on her body. Condom wrappers make another appearance in a piece with two women back to back with the text ‘I need a revolver more than I need you’. The word revolver is made out of the wrappers while some words have a small white line with the text ‘Love me please’. We were also quite impressed with the ‘For How Long Will You Love Me’, which shows the word ‘me’ between the legs of the female figure.
If you want to purchase a piece by Nadine Hamman, you will need a fair amount of money. Pieces are between $8,000 and $20,000. They might be relatively pricey but then again, it’s worth it. The exhibition is an absolute must see and kudos to Nadine Hamman for tackling this subject in such a brilliant way.
Art awakens the senses; it provides an alternative insight into the world around us and brings enlightenment to those who delve into its forever widening porthole. Fortunately Cairo does not run short of galleries and one of the most popular art complexes exists right here in Zamalek at the Cairo Opera House. The latest exhibition to take place at Al Bab Selim Gallery, one of the Opera House’s smaller exhibition spaces, is by the talented Sayed Khalifa.
Born in Cairo on September 21st 1933, his education in the arts is a vast venture in itself with a diploma from the Faculty of Applied Arts at Helwen University, an MA from the Public Institute in Florence, and a PhD in the Philosophy of Applied Arts back at Helwen University where he later became a professor in 1982. During the opening of his exhibition at Al Bab Selim Gallery, Khalifa was present and gave a passionate speech about each piece of work on display.
His current collection shows a great interest in birds and flowers. Many pieces portray birds taking flight or returning home, some with a single bird surrounded by blooming flowers, and others portraying a flock in motion. One rather sensual creation depicts the idea and importance of motherhood through one large bird soaring above three smaller birds in a serene and sunny setting.
In this exhibition of work it’s not only the subject that draws interest but also the method and mediums used to create the final pieces. One of these methods that Khalifa favours is called Batik. Batik is an art process where material is used as a base and wax is used to draw and create the desired image, whatever it might be, patterns, swirls or clear images. Next, once the wax is dried, a wax-resistant colour is used on top of this to give a background and when the wax is removed, there remain the drawn-on images, creating a rather unique effect.
Khalifa’s love for shape, colour and design are also visible throughout each piece that is displayed, in particularly the ones created using batik portraying twists and swirls of pattern, colour and visual confusion. Some pieces, for example the ones titled: ‘Flowers’ and another titled: ‘Tree’, portray a ray of multi-coloured swirls and beautifully applied marks that from afar appear as rippling water, almost moving on the material.
Despite the majority of Khalifa’s work focusing on nature, there are several pieces entwined within this exhibition that are based upon Cairo’s man-made structures though they are not apparent at first sight. One fairly large piece shows a zoomed in entrance of a building; the entrance is arched which immediately conjured up ideas of old Cairo where many of the doors are also rounded at the top. Furthermore the artwork shows an Islamic symbol above the door way which also suggests it is of a building in Cairo – Egypt.
Most of his pieces are created through printing though there is a small selection of detailed, figurative drawings: two are still-life pieces with one a bowl of fruit drawn in ink and the second a simple plant on a table top drawn in pencil; both are very detailed, life like and differ from his other work displayed in the gallery. The other three are portraits also done in pencil and ink.
The exhibition at Al Bab Selim is just one of many in a rich history of both local and international exhibitions which include exhibitions throughout Italy, Czechoslovakia and Germany. Another interesting fact we discovered about Sayed Khalifa’s artwork is that it is currently displayed within the Marriott Hotel right here in Cairo, as well as the Sheraton Hotel and the Meridian Hotel.