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Valley of the Wolves: Palestine: Focus on the Israeli-Palestinian Conflict
Valley of the Wolves: Palestine is the latest instalment of a popular and successful film series in Turkey. In this sequel, the story focuses on a team of Turkish operatives on a mission to avenge the deaths of the aid workers killed by Israeli commandos in the flotilla that was bound to Gaza.
Polat Alemdar (Sasmaz) and his men put their lives at risk by crossing more than just the enemy’s lines as they head to Palestine on a mission of revenge, honour and patriotism.
The freedom fighters’ main objective is to locate and eliminate Moshe Ben Eliezer (Besikcioglu), the Israeli military commander responsible for the killing of innocent aid workers in the Gaza flotilla raid. However, Eliezer’s arrangements take an unexpected turn as Polat Alemdar will stop at nothing to bring him down.
Valley of the Wolves: Palestine is clearly influenced by the Palestinian conflict. The main stars are just drawn into the plot as supplementary elements; the real chronicle focuses on the people of Palestine and their suffering.
However, the highlight of the plot is how such undercover teams make their way through Israeli intelligence and the numerous army forces. The brutality of some scenes will stir compassion and empathy for the Palestinian people: one scene in particular shows a disabled child buried alive under the wreckage of his home by Israeli soldiers.
The supporting actors in Valley of the Wolves: Palestine actually give more memorable performances than any of the leads, who are pretty average at best. As the most expensive film ever made in Turkey, Valley of the Wolves: Palestine is full of action scenes from beginning to end. While the action element is not exactly top-notch when compared to Hollywood standards, audiences will still appreciate the effort. However, many scenes are over the top as our heroes seem to be superhuman; it quickly becomes insulting to the audience’s intelligence!
The film was actually shot in Turkish and Hebrew, but the version in Cairo cinemas is dubbed in Arabic, which is frustrating as Egyptian audiences may not fully understand the dialogue because of the poor translation and strange accents.
Overall, Valley of the Wolves: Palestine is a well-made film that demonstrates the violence and injustice of the Palestinian people’s struggle.
First, it’s important to establish that we cannot place the blame in its entirety on Ramez Galal for his sadistic show. A big part of the blame should fall on us, the viewers, who eagerly wait for pranks and spike the show’s ratings, even reaching the point where café owners will blast these shows on large TVs to attract customers. It’s time to admit that there’s a sadist in all of us.
The premise of the show is a guest will come in to film an episode about the World Cup on a zodiac boat out at sea. The boat malfunctions, one of the presenters dives in to see what’s wrong, and the events quickly escalate to the boat sinking with the guest and a fake shark attack.
In the episode with Rania Mahmoud Yassin and Mohamed Riad, it’s interesting to point out that the boat didn’t sink entirely, and Rania kept a firm clutch on her sunglasses in a situation where any normal person would’ve let go of his/her belongings in exchange for safety. We ignored these points at first, but after several mentions on TV and by other viewers, we couldn’t help but wonder.
The show comes with a lot of legal issues this year, of which, a case that Athar El Hakim filed against Galal, banning her episode from airing, under the pretence that the prank extremely frightened her. The truth behind that is in question, after a video of her discussing her pay for the episode was leaked. Other legal issues concerning the show include damage to marine life from planting metal poles to support the hidden cameras.
Because nothing is black and white, it’s important to admit Galal’s sense of humour and experience, especially when it’s imitated by an artist like Mohamed Fouad in his show “Fo’sh Fil Mo’askar”, a stale and completely void of humour prank show.
We have to admit, we were impressed by the shark boat Galal uses to rescue the guests. He is a smart actor who was able to establish himself within Ramadan TV and create shows that people wait for year to year.
Adapted from John Green’s 2012 bestselling novel of the same name, The Fault in our Stars - a formulaic but engagingly honest story of star-crossed lovers brought together by a mutual pain - will sadden, enrich and perhaps even comfort, many of those who come across its path.
The story is centred on the sixteen year-old Hazel Grace Lancaster (Woodley); a girl who has been battling with terminal thyroid cancer since the age of thirteen. After being one of the few to respond to an experimental drug treatment, her condition is now stable, though the side effects have weakened her lungs and she is now constantly attached to a portable oxygen tank.
Hazel has pretty much accepted the fact that her days are numbered but her parents, Frannie (Dern) and Michael (Trammell), are increasingly concerned for her emotional well-being and urge her to join a cancer support group for young cancer patients like herself; not wanting to stress her parents any further, Hazel soon agrees to go.
It’s there that she first meets Augustus Waters (Elgort); an optimistic osteosarcoma survivor who lost part of his leg due to the illness. He is now living cancer-free and only comes to the meetings to support his best-bud, Isaac (Wolff). Instantly intrigued by each other, Hazel and Augustus strike up a flirty friendship but Hazel - someone who views herself as a grenade and is set on protecting those around her from the blast when that day eventually comes - is reluctant to let Augustus in. But as their relationship slowly begins to inch towards romance, she soon sees that she really doesn’t have much say in the matter.
Woodley is absolutely enigmatic as the story’s cancer-stricken heroine and ends up infusing a great amount of likeability and authenticity into the role of a young girl asked to face her destiny much too soon, while Elgort shines as the witty and the incredibly charming young man who refuses to let the cruelty of life dampen his spirits.
The Fault in Our Stars is only the second feature-film for director Josh Boone – see 2012’s Stuck in Love - however, he executes the tricky adaptation like a veteran. Scripted by Scott Neustadter and Michael H. Webert, the gravity of the material is handled wonderfully and there is a heavy dose of sincerity, humour and most important of all, heart, injected into the story’s sombre themes.
On the downside, its teenage-romance premise does get a little too cutesy in parts and the subplot, which involves a trip to Amsterdam, feels a little underdeveloped. Nevertheless, it’s the easy chemistry between its protagonists and its earnest approach makes The Fault in Our Stars a success and an ultimate real tear-jerker that won’t leave a dry eye in the house.