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Tomorrow, When the War Began: Unrealistic War Drama
This is ultimately a war film, but the story doesn’t subscribe to the same traditional elements of the genre. Rather than focusing on the battle and the politics of war on a grander scale, it looks at it from a civilian’s point of view. While the characters are numerous, the attempt to cover a broad cross section of personalities often ends up in a portrayal of clichéd stereotypes.
A film that relies so heavily on a character-driven plot, naturally also relies on the performance of its actors. Unfortunately, the young cast fails to deliver, and the film as a whole lacks the drama and action that you’d expect from a subject matter like this one.
The brief and infrequent action scenes stand out as impressive and entertaining, but at times border on the ridiculous. In one scene for example, heavily armed military vehicles are pursuing two girls in a truck, and are powerless to apprehend it.
Tomorrow, When the War Began is an overall weak production that lacks realism, intensity, and features a distinctively average cast. The green light has been given to produce the sequel, which is based on the second novel in the Tomorrow series, with the third part also being considered. Picking up where this film finishes, the sequel will hopefully develop the series into a better watch.
Scary Movie 5 – aka Scary MoVie – marks the latest and slightly belated entry to one of the laziest spoof series in the history of cinema. The franchise, which continues down a shameless road of riff-raff, turns its attention to recent box office hits such as Mama, Black Swan, Sinister, The Cabin in the Woods, Evil Dead and of course, Paranormal Activity.
The premise hasn't changed one bit, but the outlandish formula that may have once incited a few laughs – or at least some guilty chuckles – has finally reached a point of no return: rock bottom.
Scary Movie 5's so-called plot focuses on Jody (Tisdale) and Dan (Rex); a young married couple who have come to care for three young girls who, after the tragic disappearance of their father – Dan's older brother – spend most of their time living in 'the cabin in the woods'. They are feral and wild, and continue to creep everyone out with constant references to someone called 'Mama'.
Keen to rid the house of any unwanted demons, Jody and Dan wire up their house with multiple cameras – à la Paranormal Activity. Meanwhile, the couple struggle to tend to their careers; Dan keeps himself busy researching apes at a scientific facility run by scary boss, Martin (Crews), while Jody tries to resurrect her career as a ballerina – à la, yes you've guess it, Black Swan – and auditions for the lead in a production of 'Swan Lake', working opposite pole-dancing ballerina, Kendra (Ash).
This is the first film in the series that has not been moulded by the hands of original creators, the Wayans Brothers, who declined the invitation to return, and the franchise's charmingly nutty lead, Anna Faris, who is currently pregnant. Needless to say, the film suffers from both omissions and doesn't have the foolish charm that made the franchise so popular, showing little-to-no intelligence in its humour.
The plot is incredibly inconsistent and plays out as a series of unconnected set-pieces, each telling their own story, just for the sake of it. Seriously, how many more Paranormal Activity spoofs do we have to sit through?
Tisdale, who has some pretty big shoes to fill after Farris' departure, is appalling and she still hasn't shaken off her Disney roots. Rex is just as horrendous and although the film has several talented actors at its disposable – Morgan Freeman narrates – none of them are given the right material to work with. Even cameos by Snoop Dogg, Mike Tyson, Charlie Sheen and Lindsay Lohan all feel like missed opportunities.
Sitting in the wrong side of ridiculous, Scary Movie 5 is unfunny and too on-the-nose – wasting anymore column inches writing about it is infuriating.
Star Trek Into Darkness marks the twelfth instalment in the Star Trek franchise – which dates all the way back to 1966 – and plays as the direct follow-up to the 2009's successful reboot, Star Trek.
The film launches into action with a thrilling opening sequence which finds Capt. James T. Kirk (Pine) in deep trouble. In an attempt to save Spock (Quinto) and the natives of Planet Nibiru from a catastrophic volcano eruption, Kirk puts the entire Starfleet in danger by revealing the U.S.S Enterprise's hideout and by interfering with Nibiru’s primitive civilisation – prime directives which should never be broken.
Even though his intentions were moral, Kirk knows that he's crossed the line. Facing demotion as an executive officer and with Spock reassigned to another ship, Kirk’s lofty ambitions look more and more unlikely. Soon, all is forgotten, however, when an act of terrorism shakes London. The man behind the attack – as the Starfleet soon learns – is John Harrison (Cumberbatch); an ex Starfleet agent gone rogue, who has now escaped to the Planet of Klingons.
With Kirk and Spock reassigned to the U.S.S Enterprise once again, the crew – which includes ship Helmsman Hikaru Sulu (Cho), Chief Medical Officer Leonard 'Bones' McCoy (Urban), Chief Engineer Montgomery 'Scotty' Scott (Pegg) and Communication Officer Nyota Uhura (Saldana) – are sent on a dangerous mission to capture and eliminate the terrorist.
However, their mission – as Captain Kirk and his team soon learn – is not at all what it seems and disturbing secrets soon bubble their way to the surface.
Director J.J. Abrams - along with the team of returning writers, Roberto Orci, Alex Krutzman and Damon Lindelof – continues to breathe life into the beloved science-fiction series and his newest addition makes the four year wait for a sequel worth it. It’s nothing short of an edge-of-the-seat extravaganza with plenty of excitement to keep everyone – including the non-Trekkies – amused. Aside from the expected action-packed scenes, the writers also manage to find time for more character-oriented threads, which allow the audience to connect just a little bit more to these iconic characters.
As far as the die-hard Trekkies are concerned, don't despair; there are plenty of nods to the past and trips down the memory line with references to former characters, locations and weird alien species.
Pine seems to be settling into the role of the infamous Captain Kirk pretty well; emotional and driven, Pine possesses the charisma to anchor such an epic. Meanwhile, the terribly talented Quinto is magnetic; his restrained and cold exterior provides plenty of laughs and, at the same time, plenty of stirring moments as we witness significant character growth. Pegg and Urban offer much of the comic-relief, while Saldana unfortunately fades into the background. Most significantly, however, Cumberbatch shows plenty of depth as what is slowly revealed to be a complex antagonist.
All in all, Star Trek Into Darkness offers guaranteesd entertainment. As an exhilarating and often moving addition to the franchise, JJ Abrams has proved that remakes, reboots and sequels can still be done well. Good job.