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Samy Oxyde Al Carbone: Tired, Silly Slapstick Comedy
Samy (Ramzi) is a jobless playboy, who spends his time wasting money and chasing women. Then he meets and falls for Gihan (Dorra), a hardcore social activist who regularly organises protests and despises egocentric, wealthy people like him. In order to impress her, Samy does what any man in his position would do, and pretends to be a low-maintenance, working class version of himself. While trying to woo Gihan and fit into her activist circle, Samy discovers that the land he owns is being contaminated by pollution from a nearby factory owned by Gaber (Fawzy). Karma can get you like that.
Things become even more complicated when Samy's ex-wife Haidy (Tetiana) reappears after many years only to tell him that he has a daughter called Sandy (Nasrat). Haidy is terminally ill and can’t take care of Sandy, and so Samy suddenly has the responsibility of fathering a child he’s never known of. This is, understandably, Samy’s opportunity to redeem himself and become a changed man. Queue the violins or the Rocky theme tune; both are fitting.
The film's main plot is actually split into two parts; the first is about him changing into something he's not, and the second revolves around his dealing with the responsibility of parenthood. Predictably, both stories suffer from various annoying elements. To begin with, Ramzi’s depiction of a successful womaniser is very hard to believe – the actor has pulled off the awkward, dorky roles for years, but he lacks the suave charm to convince us of his flirting skills.
Additionally, his father-daughter scenes with Nasrat are forced and seem to shove the jokes down the audience’s throats. An example of this is a when Samy and his best friend Medhat (Edward) dress up in various costumes, including Avatar characters, in an attempt to entertain his newly acquired daughter. Nasrat does her best adorable act as the charismatic young daughter, but it borders on slapstick and – again – forced.
Director Akram Farid seems to have borrowed themes from US films like Game Plan and Big Daddy, but this film lacks the charm and humour to pull it off. Essentially, this film is all about Ramzi, which is unfortunate considering that his flat portrayal of an immature man lacks the type of charisma needed with an anti-hero character like this, and fails to command the audience’s attention. His cheesy lines don’t help either. Even hardcore Ramzi fans will be disappointed, and the supporting cast fails to impress: as Samy’s best friend Medhat, Edward plays the same funny sidekick that we’ve seen him play before, while Dorra’s efforts are lacklustre as she gives a lukewarm performance with little charm.
By Egyptian standards, this comedy is weak and almost offensively silly in its use of cheap humour. This type of slapstick comedy may have worked back in the 90s, which in hindsight is still a little embarrassing if it did, but you’d think that Egyptian cinema has evolved and improved in the past two decades.
The follow up to Carlos Saldanha’s vibrant animated feature, Rio – a film that grossed over half a billion dollars at the box office - finds the Brazilian-born filmmaker returning to the pulsating streets of Rio Di Janeiro, before setting off into the wilderness of the Amazon.
Picking up some time after the end of the first film, Rio 2 finds the Blue Macaws, Blu (voiced by Eisenberg) and Jewel (Hathaway), happily married and living a carefree life while raising their three hatchlings, Carla (Crow), Bia (Stenberg) and Tiago (Gagnon), at the Blue Bird Sanctuary.
However, their children’s overly-domesticated habits begin to worry Jewel, who is fearful that her children are slowly losing touch with nature and what it means to be a bird. So, when she hears that there may be a flock of Blue Macaws living in the Amazon rainforest, the family decides to fly across for a vacation and a bit of an investigation.
Once there, not only does the family discover that there is more of their kind in the world, but that the flock is led by none other than Jewel’s long-lost father, Eduardo (Garcia). Jewel soon finds herself toying with the prospect of moving her family there for good, while Blu – who now must prove himself to Jewel’s apathetic and unconvinced father – isn’t too sure whether he’s ready to give up his life in Rio. Meanwhile, Blu’s lifelong nemesis, Nigel the Cockatoo (Clement), who is no longer able to fly, follows the family to the rainforest in search of revenge.
Eisenberg and Hathaway return to reprise their roles as the lovable Blu and Jewel and, although their shared chemistry can still be felt throughout, it seems that their second outing is not as charming as their first. Clement is hilarious as the grouchy Nigel, while all of the supporting characters, excluding Chenoweth’s hysterical performance as Gabi – a poisonous frog hopelessly in love with Nigel – aren’t given much of the spotlight, apart from indulging in a few impromptu sing-offs, including yet another cringe worthy rendition of Gloria Gaynor’s I Will Survive.
Just like the original, Rio 2 dazzles with its vibrant and bubbly tone; the opening scenes of the New Year’s Eve celebration on the bustling streets of Rio Di Janeiro are breathtaking and Saldanha, succeeds in adapting the alluring and captivating magic of Brazil.
The story, unfortunately, is not as engaging the second time around and Saldanha seems to have sent the story on a downward spiral the minute he decided to step out of Rio and move his flock of birds into the back woods of the Amazon rainforest.
There are still plenty of thrills and spills, but had it not been for the infectious Brazilian music and a handful of interesting characters, this would have been a complete washout.
Proving just how difficult it is to draw a storyline from the virtual world of video-gaming, Scott Waugh’s Need for Speed marks the very first big-screen adaptation of one of the most cherished car-racing games
Set in the small town of Mount Kisco, New York, Need for Speed follows Tobey Marshall (Paul); a skilled mechanic and famed street racer who’s been struggling to keep his late father’s auto shop open for business. When he’s not elbow-deep in grease alongside his friends and fellow mechanics, Tobey likes to keep his adrenaline pumping by participating in illegal car racing.
Soon, Tobey’s financial problems are seemingly solved after receiving a visit from long-time opponent and professional racer, Dino Brewster (Cooper), who offers him a chance of a lifetime through rebuilding a modified Ford GT500, from which he will receive a percentage of the lofty sale price.
However, after finishing the task at hand, Dino challenges Tobey to an off-the-cuff race, landing Tobey with an unjustified two year prison sentence. When he’s finally released, he sets out a plan of revenge on Dino, by entering himself into one of the deadliest street races known around.
Over the years, videogame adaptations have bred mixed results; from Nintendo’s disastrous 1993 film, Super Mario Bros, to the slightly more interesting Mortal Kombat film series.
Unfortunately, Need for Speed is all just too bland; slightly too long, the thinly-drawn storyline is both stiff and dour, serving to take away from the impressive stunts – all of which are live-action, with no CGI used.
Fresh off the set of super-popular TV series, Breaking Bad, Paul proves to be a strong lead, but unable to rise above the poorly material. The same goes for Cooper, who valiantly embodies the word villain while Keaton, who makes a brief appearance as Monarch – the main race organiser – is a little to melodramatic for the film’s tone.
Need for Speed takes itself a little too seriously and ultimately overstays its welcome. Unlike the popular Fast & Furious franchise, this is a film that does little to help you suspend your disbelief, because quite frankly, it’s quite dull. The only potential saviour for audiences looking for an adrenaline-amped ride is the sexy range of supercars.