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Remember Me: Easily Forgettable
Robert Pattinson steps outside his Twilight Vampire shell in this romantic drama of a troubled young man who falls in love with the equally troubled Ally (de Ravin). Despite its attractive cast featuring major stars such as Bronson and Cooper, Remember Me does little to be remembered.
Tyler (Pattinson) is a young man struggling to come to terms with his brother's suicide and his turbulent relationship with his millionaire businessman father (Brosnan). He constantly gets into trouble and lacks direction in his life until he meets Ally, who, for some reason, is able to get beneath the armour and touch Tyler in a way he had never thought possible.
Of course, Ally comes with baggage too, namely her overprotective detective father (Cooper), who only further complicates her relationship with Tyler. Supporting characters like Tyler’s younger sister Caroline and his best friend Aidan provide fodder to the plot.
The film reaches its climax when the complex characters’ lives all tumultuously intertwine, allowing for the characters to develop and show growth. Sadly, the film’s abrupt ending gives an overly dramatic and unnecessary twist to the story, leaving viewers scratching their heads as to why this direction was chosen.
Despite the believable chemistry between Pattinson and de Ravin, their performances can do little to move the film forward. At times, one feels it is an even slower version of a Nicolas Sparks novel that attempts to touch, make one laugh and create a sense that love can overcome all. The Nicholas Sparks similarity is especially unfortunate, since his latest film adaptation Dear John was released at the same time as Remember Me and may confuse viewers with its very similar dramatic theme (we won’t spoil the ending for you).
Overall, Remember Me is a decent attempt to crawl into the space held by the Sparks' novels of love against the odds. In essence, the purpose of the film is dedicated to the idea of living in the now; and encourages viewers to stop searching for answers in the past and move forward.
This is a perfect date film; if your idea of a perfect date is to have your companion sobbing uncontrollably at the end of the film. Remember Me is still very much a teen flick that will undoubtedly attract hoards of Twilight fans. However, don’t expect this to be in the same world as The Notebook, as the direction leaves just too much to be desired.
Emerging from a lesser-known comic-book line, James Gunn’s Guardians of the Galaxy – Marvel’s tenth, and possibly quirkiest, offering – proves to be a risk well taken.
Set entirely in the galactic immensity of outer space, Guardians of the Galaxy follows the story of Peter Quill (Pratt); a twenty-six-year-old Earthling who was abducted as a young boy and raised by The Ravegers – an alien gang of thieves led by the notorious, Yondu (Rooker).
Far away from home, Peter – a.k.a Star Lord – now roams the cosmos and soon comes across a special orb; a silver infinity stone that holds an incredible amount of power. Unfortunately, he’s not the only interested party and he is soon confronted by Korath (Hounsou); the right-hand man of one of the most villainous terrorists in the galaxy, Ronan (Pace), who wants to use the orb to overthrow a rival civilization run by Nova Prime (Close).
Intrigued by the high interest in his new discovery, Peter turns his back on Yondu, who sends assassin, Gamora (Saldana), to retrieve the orb.
He also soon attracts the attention of bounty hunters, Rocket (voiced by Cooper) – a sly raccoon warrior – and his best pal, talking tree-like human, Groot (voiced by Diesel).
After causing a public disturbance, Peter and his pursuers are soon put in prison and form a temporary bond, along with muscular inmate, Draz (Bautista), in order to break out and prevent the precious stone from falling into the wrong hands.
Written by James Gunn and Nicole Perlman, Guardians of the Galaxy is refreshingly off-beat, steadfast and full of character. Visually, Gunn paints his intergalactic backdrop with plenty of colour, however some of the CGI tends to feel a little overcooked and the action-scenes – although pretty entertaining– feel a little unrefined.
Pratt – whose character and performance has already drawn comparisons to Harrison Ford’s Indiana Jones – proves to be a solid and extremely likable lead, while Saldana uses her trademark femme fatale penchant to great use . However, it’s Cooper as the chatty and cheeky raccoon, Rocket, and Diesel as the human-tree, Groot, that steal the show, adding a whimsy rarely seen in modern comic-book film adaptations.
Without household comic-book names to inject a bit of weight into proceedings, this is a film that could have found itself in the annals of failed comic-book adaptations, alongside Marvel flops such as Daredevil, Elektra and Ghost Rider.
But, armed with a funky 70’s soundtrack, likable characters, a witty temperament and thrilling action, Guardians of the Galaxy has arrived at the perfect time for Marvel, who – despite huge box office earnings with Captain America, The Avengers et al – were in dire need of a fresh canvas.
Adapted from John Green’s 2012 bestselling novel of the same name, The Fault in our Stars - a formulaic but engagingly honest story of star-crossed lovers brought together by a mutual pain - will sadden, enrich and perhaps even comfort, many of those who come across its path.
The story is centred on the sixteen year-old Hazel Grace Lancaster (Woodley); a girl who has been battling with terminal thyroid cancer since the age of thirteen. After being one of the few to respond to an experimental drug treatment, her condition is now stable, though the side effects have weakened her lungs and she is now constantly attached to a portable oxygen tank.
Hazel has pretty much accepted the fact that her days are numbered but her parents, Frannie (Dern) and Michael (Trammell), are increasingly concerned for her emotional well-being and urge her to join a cancer support group for young cancer patients like herself; not wanting to stress her parents any further, Hazel soon agrees to go.
It’s there that she first meets Augustus Waters (Elgort); an optimistic osteosarcoma survivor who lost part of his leg due to the illness. He is now living cancer-free and only comes to the meetings to support his best-bud, Isaac (Wolff). Instantly intrigued by each other, Hazel and Augustus strike up a flirty friendship but Hazel - someone who views herself as a grenade and is set on protecting those around her from the blast when that day eventually comes - is reluctant to let Augustus in. But as their relationship slowly begins to inch towards romance, she soon sees that she really doesn’t have much say in the matter.
Woodley is absolutely enigmatic as the story’s cancer-stricken heroine and ends up infusing a great amount of likeability and authenticity into the role of a young girl asked to face her destiny much too soon, while Elgort shines as the witty and the incredibly charming young man who refuses to let the cruelty of life dampen his spirits.
The Fault in Our Stars is only the second feature-film for director Josh Boone – see 2012’s Stuck in Love - however, he executes the tricky adaptation like a veteran. Scripted by Scott Neustadter and Michael H. Webert, the gravity of the material is handled wonderfully and there is a heavy dose of sincerity, humour and most important of all, heart, injected into the story’s sombre themes.
On the downside, its teenage-romance premise does get a little too cutesy in parts and the subplot, which involves a trip to Amsterdam, feels a little underdeveloped. Nevertheless, it’s the easy chemistry between its protagonists and its earnest approach makes The Fault in Our Stars a success and an ultimate real tear-jerker that won’t leave a dry eye in the house.