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Remember Me: Easily Forgettable
Robert Pattinson steps outside his Twilight Vampire shell in this romantic drama of a troubled young man who falls in love with the equally troubled Ally (de Ravin). Despite its attractive cast featuring major stars such as Bronson and Cooper, Remember Me does little to be remembered.
Tyler (Pattinson) is a young man struggling to come to terms with his brother's suicide and his turbulent relationship with his millionaire businessman father (Brosnan). He constantly gets into trouble and lacks direction in his life until he meets Ally, who, for some reason, is able to get beneath the armour and touch Tyler in a way he had never thought possible.
Of course, Ally comes with baggage too, namely her overprotective detective father (Cooper), who only further complicates her relationship with Tyler. Supporting characters like Tyler’s younger sister Caroline and his best friend Aidan provide fodder to the plot.
The film reaches its climax when the complex characters’ lives all tumultuously intertwine, allowing for the characters to develop and show growth. Sadly, the film’s abrupt ending gives an overly dramatic and unnecessary twist to the story, leaving viewers scratching their heads as to why this direction was chosen.
Despite the believable chemistry between Pattinson and de Ravin, their performances can do little to move the film forward. At times, one feels it is an even slower version of a Nicolas Sparks novel that attempts to touch, make one laugh and create a sense that love can overcome all. The Nicholas Sparks similarity is especially unfortunate, since his latest film adaptation Dear John was released at the same time as Remember Me and may confuse viewers with its very similar dramatic theme (we won’t spoil the ending for you).
Overall, Remember Me is a decent attempt to crawl into the space held by the Sparks' novels of love against the odds. In essence, the purpose of the film is dedicated to the idea of living in the now; and encourages viewers to stop searching for answers in the past and move forward.
This is a perfect date film; if your idea of a perfect date is to have your companion sobbing uncontrollably at the end of the film. Remember Me is still very much a teen flick that will undoubtedly attract hoards of Twilight fans. However, don’t expect this to be in the same world as The Notebook, as the direction leaves just too much to be desired.
Arriving almost eleven years after its first big-screen adaptation with The SpongeBob SquarePants Movie, one of the most popular Nickelodeon series of all time has ventured onto the silver screen again.
Directed by Paul Tibbitt, Sponge Out of Water returns to Bikini Bottom, the story begins with Mr Square Pants and co learning that the infamous Krabby Patty formula – Krusty Krab’s signature recipe – has been stolen.
Krusty Krab’s nemesis, Plankton, is the first suspect, though it quickly becomes clear that he’s innocent. As things get desperate in Bikini Bottom, he’s even eventually convinced by SpongeBob to join the search for the missing recipe, with their adventure eventually leading the rag-tag team to ruthless pirate, Burger Beard – voiced by one Antonio Banderas – and forcing them to step out of the water and onto land.
Entertainingly silly, though at times perhaps a little testing, SpongeBob Out of Water is mainly targeted at the series’ existing fan-base; for those unfamiliar with the character and the story – whose seemingly abstract premise is hard enough to digest – might find it a bit hard to find any value in the film’s goofiness. It’s definitely a strange world to get sucked into, however, that doesn’t mean it’s not worth dipping your toes. Told through a series of more traditional and old-style animation storytelling methods and once again using live-action settings, there’s a cheerful, optimistic and at times even psychedelically euphoric quality about that is sure make the film appealing to both adults and children alike.
The jokes are aplenty and the humour is definitely one of its strongest points. However, the story does falter a bit in the third act – once SpongeBob and his buddies wash-up ashore and turn themselves into a group of modern-day superheroes – and the film loses energy and momentum. Nevertheless, the franchise has proven that it’s still going strong and, even though it might not win over any new fans, it will keep the old ones – which there are plenty of – very happy and satisfied.
Formidable, heartfelt and elegant are just a few words one can use to describe Julianne Moore’s Oscar-winning performance as woman coming to grips with Alzheimer’s in Still Alice. Based on Lisa Genova’s novel of the same name, the devastating truths behind this silent yet deadly disease are passionately explored by the writing-directing duo Richard Glatzer and Wash Westmoreland, whose uncomplicated and honest portrayal provides the story with plenty of grace and power.
As a highly successful and respected professor of linguistics at Columbia University, the fifty year old Dr. Alice Howland (Moore) has always held a high regard for communication and the intricate workings of the human mind. There are only two things in life that she treasures the most; her sense of intellect – a part of herself that is constantly fed – and her husband, John (Baldwin), and their three children, Anna (Bosworth), Tom (Parrish) and Lydia (Stewart).
During a visit for a lecture, Alice soon begins to notice signs of memory loss after words fail her during her speech. A series of memory tests soon confirm the worst; a particularly rare Early-Onset Alzheimer’s disease with a genetic component, meaning her kids might have it, too.
Eating away at her one small bite at a time, Alice is determined not to let her disease erase everything she holds dear. However, as she descends further and further into her own absent-mind there is nothing anyone can do except sit and watch her disappear.
Still Alice’s story is straightforward, refreshingly honest and doesn’t play on sympathy in its approach to the lead character’s personal sense of shame and indignity as she falls further and further away from everything that has helped shape her into what she is today. Moore’s towering performance – a sublime and authentic one at that – carries the film and watching her confront this alienating illness is touching and heartbreaking.
It’s by no means a perfect film and its shortcomings, if you can even really call them that, come in the shape of the two-dimensionality of the other characters; Baldwin is a little plain as the caring but overly passive husband and Stewart is her emotionless self as the rebellious black sheep of the family.
However, whatever their weaknesses may be, the focus is on Moore and her riveting and beautifully-layered performance which ultimately, makes Still Alice a grand and striking drama.