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Remember Me: Easily Forgettable
Robert Pattinson steps outside his Twilight Vampire shell in this romantic drama of a troubled young man who falls in love with the equally troubled Ally (de Ravin). Despite its attractive cast featuring major stars such as Bronson and Cooper, Remember Me does little to be remembered.
Tyler (Pattinson) is a young man struggling to come to terms with his brother's suicide and his turbulent relationship with his millionaire businessman father (Brosnan). He constantly gets into trouble and lacks direction in his life until he meets Ally, who, for some reason, is able to get beneath the armour and touch Tyler in a way he had never thought possible.
Of course, Ally comes with baggage too, namely her overprotective detective father (Cooper), who only further complicates her relationship with Tyler. Supporting characters like Tyler’s younger sister Caroline and his best friend Aidan provide fodder to the plot.
The film reaches its climax when the complex characters’ lives all tumultuously intertwine, allowing for the characters to develop and show growth. Sadly, the film’s abrupt ending gives an overly dramatic and unnecessary twist to the story, leaving viewers scratching their heads as to why this direction was chosen.
Despite the believable chemistry between Pattinson and de Ravin, their performances can do little to move the film forward. At times, one feels it is an even slower version of a Nicolas Sparks novel that attempts to touch, make one laugh and create a sense that love can overcome all. The Nicholas Sparks similarity is especially unfortunate, since his latest film adaptation Dear John was released at the same time as Remember Me and may confuse viewers with its very similar dramatic theme (we won’t spoil the ending for you).
Overall, Remember Me is a decent attempt to crawl into the space held by the Sparks' novels of love against the odds. In essence, the purpose of the film is dedicated to the idea of living in the now; and encourages viewers to stop searching for answers in the past and move forward.
This is a perfect date film; if your idea of a perfect date is to have your companion sobbing uncontrollably at the end of the film. Remember Me is still very much a teen flick that will undoubtedly attract hoards of Twilight fans. However, don’t expect this to be in the same world as The Notebook, as the direction leaves just too much to be desired.
With many Americans still picking Thanksgiving turkey out of their teeth and others already embarking on Christmas shopping, Jimmy Hayward’s Thanksgiving-themed, animated comedy, Free Birds, is the first of what will almost certainly be a production line of hastily put-together films capitalising on the festive season.
Meet Reggie (Wilson); a nonconformist turkey who has always been viewed as an outsider for his ‘radical’ thinking. The idea of having himself – and the rest of his fellow-turkeys – fattened up for the upcoming Thanksgiving festivities, is a notion that doesn’t sit too well with Reggie. He continuously tries to warn everyone of their imminent slaughter, but his warnings go unheeded. That is until they realise the stark reality of their situation and throw Reggie under the bus to save their own necks.
However, much to his surprise, Reggie ends up being the White House’s ‘pardoned turkey’ and is soon sent off to Camp David to live the good life; lots of TV and a great deal of junk food.
One night, he’s approached by Jake (Harrelson); a cheeky and rebellious turkey who informs him that there’s a way of travelling back in time to the very first Thanksgiving, where they can take Turkey off the menu for good.
Intrigued and fascinated by the possibility, the duo soon find themselves jumping into the secret government machine, named S.T.E.V.E (voiced by Takei), and travelling back to 1621. They quickly learn, however, that becoming ‘free birds’ is going to take some serious work.
While the idea behind Free Birds might sound solid on paper, the final result is not. Essentially, this is not a film that holds the wide appeal of the likes of Toy Story and Finding Nemo. Kids will love it, though adults will probably find the cutesy humour and inattentive storyline difficult to engage with. Moreover, the endless-parade of product placements and tiresome references to other, unquestionably better, films only serves to undermine it.
The film’s only redeeming feature lies with its two leads. Owen, in his usual carefree and offhand style, injects the character of Reggie with enough likeability, while Harrelson approaches his character with conspicuous willingness and excitement. The rest of the cast is equally deserving of praise, especially Poehler – voicing Reggie’s love interest – who brings zesty and feisty personality to her role.
Despite Free Birds’ good intentions, this underdog story – or in this case an underturkey, if you will – would have been a lot better if it spent a little bit more time in the oven.
Based on real events, Love and Honor - Danny Mooney’s directorial debut – follows one American soldier in his fight for love. However, with it’s glossy, squeaky clean façade, the romantic drama does very little to stir the emotions within.
Set in the late 60’s, the story opens up in the jungles of South Vietnam where two soldiers, best buds Pvt. Mickey Wright (Hemsworth) and Pvt. Dalton Joiner (Stowell) are making their way through the hidden dangers of the tropical forest. Mickey and his arrogance ensures that Dalton – the more edgy of the two – keeps his cool and stays alive in order to return home to his long-time love and girlfriend, Jane (Teegarden).
After the twosome successfully escape the grips of death, they go on a leave of absence; the idea of exploring the Southeast Asian brothels seems like an appealing idea to Mickey, but after receiving a disturbing ‘Dear John’ letter from Jane, Dalton has other plans. Informing him that it’s better if they go their separate ways, Dalton is desperate to win her back, and decides to go home for the week with Mickey following for moral support.
However, upon their arrival they soon discover that the free-thinking youth movement has taken over, including Jane, who has now decided to go by ‘Juniper’. With their presence immediately causing negative attention, the soldiers claim to be peace-seekers deserters. This lie causes Juniper to rethink her feelings for Dalton, whilst Mickey finds comfort in the arms of her best-friend and fellow flower child, Candace (Palmer).
Pinned up high against the backdrop of the Vietnam War, Love and Honor hopes that the up-and-coming Aussie star, Liam Hemsworth will bring in the much-needed credibility and appeal. However, even he found it impossible to overcome the story’s careless script and mechanical ways. Hemsworth’s presence will undoubtedly leave young teenage fans weak at the knees, but as far as his performance goes, the young actor fails to turn the film into anything more meaningful than just another teenage-romance flick. The same goes for his partner-in-crime Stowell, although he managed to bring a bit more versatility to his role. As the boys’ love interest, Palmer and Teegarden were a little too playful and animated to be taken seriously.
The script, written by Jim Burnstein and Garrett K Schiff, plays out like a wistful and a rather tasteless Danielle Steel novel that would later be turned into a small TV-movie. It’s all a little too obvious and eager to please and everything from the costume department to the all too familiar soundtrack, which naturally includes both “Spirit in the Sky” and “Magic Carpet Ride”.
Love and Honor seems fake and insincere; any chances of it becoming a sweet and lovable romantic drama are completely diminished by its conventional, tasteless ways.