The fourth film in the Underworld series, Awakening starts off with the vampire and lycan communities being exposed and the humans declaring an all-out war against them. During the purge, vampire Selene (Beckinsale) and hybrid Michael are taken captive and cryogenically frozen. Selene awakens twelve years later in a lab to discover that the humans have won and the remaining vampires and lycans have been driven deep into hiding. While searching for any evidence of Michael’s fate, she runs into the young girl who freed her from the lab, her hybrid daughter, who is being tracked by people desperate to get her back.     

Beckinsale doesn’t seem very interested in being in the film. She’s ok when she’s fighting, mainly because the camera’s moving too quickly for you to keep tabs on her, but when the action settles down into an emotional moment, she seems bored at best. Her character barely seems fazed by her lost twelve years or by the fact that she now has a daughter. She has a going-through-the-motions vibe going on, which is completely at odds with the heightened stakes she’s up against. That being said, the sheer amount of bodies she leaves strewn in her wake is highly gratifying, as is the image of her brandishing her twin guns while defying gravity.

The film is flashy but confusing, and this confusion doesn’t stem from a lack of prior knowledge of the series, but by shoddy storytelling and lazy acting. The direction doesn’t get a free pass either. The rapid, choppy fight scenes look impressive but are nonetheless infuriating, especially when they make the logistics of the more important killings vaguer than they already are.

On the plus side, though, the stunts have a sort of balletic quality to them. When Selene jumps off of buildings or over fences, she could almost be mistaken for a dancer if not for her bright blue irises and icy expression. Also, the lycans look like a feral version of Xmen’s Beast and while they aren’t particularly scary, the scenes where they transform from humans to werewolves are pretty cool.

The most irritating thing is how the human versus vampire/lycan war was almost completely ignored. It was used almost solely as a set up for Selene to be captured, completely sidestepping a perfect opportunity to forge a connection between the film universe and the real world. This ethnic cleansing war should have, at the very least, struck a political and emotional chord with the audience. And while a twist in the middle of the film does bring the story back around to how the vampires and lycans dealt with the war, it’s overshadowed by the onscreen bloodbath.

If you’re a fan of the previous Underworld film, this one is more of the same and may be worth a watch.