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Geddo Habibi: Cringingly Irritating Egyptian Comedy
Fekreya (Boshra) is a British-raised Egyptian who insists on being called Vicky. Completely broke and out of her job after the stock market crash, she decides visit her estranged grandfather Hussein (Yaseen), who is on his deathbed in Egypt. As his sole heir, she stands to inherit a fortune which would effectively cure her financial woes. Predictably, she gets to Egypt, meets her granddad and after a thorny adjustment period, they become best buds.
The film kicks off with an awful opening credits sequence that really sets up how irritating Vicky’s character is. It was during this sequence that this reviewer first found herself cringing; something that would be repeated quite frequently throughout the rest of its running time. The film’s first act involves Vicky and her roommate harping on about the money Vicky stands to inherit if her grandfather would just die already. The movie paints the roommate as the more awful of the two, although Vicky is every bit as distasteful.
The middle of the film revolves around twenty-something Vicky’s friendship with a bunch of teenage boys and the problems this poses for her grandfather who thinks it isn’t proper. Cue a bunch of partying scenes and her granddad coming home to find kids making out and a random guy offering him a spliff.
The final act has Vicky and her granddad tracking down a former flame of his who, lo and behold, has a grandson who would be perfect for Vicky. This is when the film takes an inexplicable turn for the preachy which, all things considered, is still a definite upgrade to everything that preceded it. It extols, quite heavy-handedly, the virtues of real-love marriages as opposed to arranged ones, and gives Vicky the happy ending she’d been dreaming of forever; a husband.
678 had Boshra showcasing some decent dramatic chops and this reviewer would like to implore her to stick to drama because her comedic timing is completely off. Vicky was something along the lines of a manic, grossly materialistic person until she falls in love and suddenly calms down. It’s a very unlikable character and one that’s frankly highly irritating mainly due to the thrashing around that passes as physical comedy. It was the visual equivalent of nails on a chalk board. On the plus side though, Boshra has a pretty decent English accent.
The rest of the actors didn’t fare much better. Yaseen looks remarkably healthy and active for someone who’s knocking on the doors of death, while Abdel Aziz looks distractingly botoxed and is made up to look like a raccoon. Meanwhile, Fahmy is so bland that he barely registers on screen.
The actors involved in this movie are capable of so much better which makes this wreck even more depressing.
Emerging from a lesser-known comic-book line, James Gunn’s Guardians of the Galaxy – Marvel’s tenth, and possibly quirkiest, offering – proves to be a risk well taken.
Set entirely in the galactic immensity of outer space, Guardians of the Galaxy follows the story of Peter Quill (Pratt); a twenty-six-year-old Earthling who was abducted as a young boy and raised by The Ravegers – an alien gang of thieves led by the notorious, Yondu (Rooker).
Far away from home, Peter – a.k.a Star Lord – now roams the cosmos and soon comes across a special orb; a silver infinity stone that holds an incredible amount of power. Unfortunately, he’s not the only interested party and he is soon confronted by Korath (Hounsou); the right-hand man of one of the most villainous terrorists in the galaxy, Ronan (Pace), who wants to use the orb to overthrow a rival civilization run by Nova Prime (Close).
Intrigued by the high interest in his new discovery, Peter turns his back on Yondu, who sends assassin, Gamora (Saldana), to retrieve the orb.
He also soon attracts the attention of bounty hunters, Rocket (voiced by Cooper) – a sly raccoon warrior – and his best pal, talking tree-like human, Groot (voiced by Diesel).
After causing a public disturbance, Peter and his pursuers are soon put in prison and form a temporary bond, along with muscular inmate, Draz (Bautista), in order to break out and prevent the precious stone from falling into the wrong hands.
Written by James Gunn and Nicole Perlman, Guardians of the Galaxy is refreshingly off-beat, steadfast and full of character. Visually, Gunn paints his intergalactic backdrop with plenty of colour, however some of the CGI tends to feel a little overcooked and the action-scenes – although pretty entertaining– feel a little unrefined.
Pratt – whose character and performance has already drawn comparisons to Harrison Ford’s Indiana Jones – proves to be a solid and extremely likable lead, while Saldana uses her trademark femme fatale penchant to great use . However, it’s Cooper as the chatty and cheeky raccoon, Rocket, and Diesel as the human-tree, Groot, that steal the show, adding a whimsy rarely seen in modern comic-book film adaptations.
Without household comic-book names to inject a bit of weight into proceedings, this is a film that could have found itself in the annals of failed comic-book adaptations, alongside Marvel flops such as Daredevil, Elektra and Ghost Rider.
But, armed with a funky 70’s soundtrack, likable characters, a witty temperament and thrilling action, Guardians of the Galaxy has arrived at the perfect time for Marvel, who – despite huge box office earnings with Captain America, The Avengers et al – were in dire need of a fresh canvas.
DisneyToon Studios certainly didn’t waste any time before knocking out a sequel to 2013’s Planes; the relatively profitable spin-off of the popular animated series, Cars. With only a year since the first film, Roberts Gannaway’s Planes: Fire and Rescue manages to slightly expand on the simple premise and proves to be a definite improvement over its predecessor.
Scripted by Jeffrey M. Howard, the sequel catches up with the crop-dusting champ, Dusty Crophopper (voiced by Cook); a champion air racer who now faces the possibility of never racing again due to his reductive gearbox flopping and breaking down and the manufacturer discontinuing his model-type.
While his friends - Skipper (Keach), Dottie (Hatcher) and Chug (Garrett) - work extremely hard on finding the needed part, Dusty decides to go off and train with an elite Fire & Rescue squad, in order to assist the aging fire and rescue truck, Mayday (Holbrook).
However, before he can officially join the team at Piston Peak National Park, he must first pass the test - and acquire the certification - from Blade Ranger (Harris); a veteran helicopter haunted by a troubled past. Before long, Dusty’s talent and skills are put to the test when a massive forest fire threatens to destroy a well-known landmark resort; can Dusty prove that he’s got what it takes?
While the first film was considered nothing but a quick cash-crab on the lucrative Cars film franchise, the second instalment proves that there is something there after all. The technical improvement in the animation department is a definite step-up; the colours are livelier, the action sequences thrilling and there is a sense of general cheerfulness throughout. The story, however, is still as simple as they come – despite a handful of unrealised subplots – and the characters seem somewhat unadventurous and thinly-drawn.
The entire cast offered relatively decent voice support - despite the script’s shortcomings - and although Cook, who returns to reprise his role as Dusty, is still supposed to be the star of the picture, he is overshadowed by Bowen, as the flirtatious Lil Dipper, who offers most of the laughs.
Planes: Fire and Rescue offers a fun and a generally undemanding viewing experience; inviting and simple, it’s a technically advanced addition to DisneyToons’ ongoing animation repertoire. The kids will love it, but the adults will likely not.