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How to Train your Dragon: Visually Captivating for the Child at Heart
Throw on your 3D glasses and allow your imagination to soar with the latest animation film by Dean DeBlois and Chris Sanders, the directing team that also worked side by side on Disney’s Mulan and Lilo & Stitch.
In their latest venture into the 3D animation world, How to Train your Dragon revolves around Hiccup Horrendous Haddock III (Buruchel), a young and immensely sweet young boy who has the ultimate dream of joining the Viking ranks alongside his father, Stoic the Vast (Butler). In the eyes of the humongous and steaming-attitude Stoic, young and clumsy Hiccup is not good enough to gain the Viking horns, and is better left to wield swords and stay out of Stoic’s way.
Taking place in a Viking village called Berk, the film guides you through Hiccup’s fight against disenchantment, evil and the ironies of life experienced by the 10-year-old boy that can apply to anyone, no matter the age.
The small yet brave Hiccup sets out on a personal journey that takes his quest to become a dragon-fighting Viking down a completely different path. The illuminating discovery that Hiccup stumbles upon not only changes his perspective on the Viking vs. Dragon world but burdens him with the responsibility of enlightening his community, which is bound to never listen.
In the meanwhile, Hiccup’s love for Astrid (Ferrera), a female Viking-in-training, keeps a lighthearted twist on an otherwise tumultuous and heavy journey for little Hiccup.
From Hiccup’s fight against the village’s ignorance to his surprising friendship formed with the Night Fury dragon, who he names Toothless, Hiccup’s journey is bound to enthral you with the young boy’s determination and courage to bring peace between both sides of Hiccup’s new found world.
The cinematography is empowering at times, including the incredible flying scene where Hiccup is mounted on the back of Toothless, flying through beautiful landscapes of a lush valley and bouncy clouds. Intricate details and textures are used throughout the entire film, leaving you reaching out for a feel, from the single strands of hair woven into Astrid’s braids to the wrinkle lines revealing the intensity of Stoic’s life.
While the ending might possibly tug at your emotions, How to Train your Dragon is capable of pulling you into the absolute beauty of a child’s imagination, which is often times squelched. You’re left wanting to be engaged with your childlike self and noticing the creatures around that we often forget about; from the tiniest of bug to the most gargantuan of dragon. Allow yourself to be there and take part in Hiccup’s story that is bound to teach you one thing or another.
Chances are that the average moviegoer won’t be all that familiar with Ant-Man – not unless you’re a hardcore Marvel fanatic – but the previous anonymity of miniature-sized superhero who dates back to the 60s, doesn’t prevent it from becoming one of the most entertaining and successful combinations of action and comedy in the Marvel Cinematic Universe.
Directed by Peyton Reed, the story is centered on Scott Lang (Paul Rudd); a skilled cat burglar who is ready to reunite with his young daughter, Cassie (Fortson), and put his life back on track after a stint in prison. However, finding the right line of work for an ex-felon is never easy and Scott is soon reeled back into his old ways by his friend and ex-cellmate, Luis (Peña), who convinces him to break into a San Francisco mansion to steal an old man’s fortune. After a successful break in, Scott finds no money; just motorcycle-type suit and a helmet. Convinced that the job is a total bust, Scott is soon shocked to learn that once he dons the suit and presses a special button, he is reduced to ant-size. Amazed at the discovery, Scott soon comes face-to-face with the suit’s inventor, Dr. Hank Pym (Michael Douglas), who’s looking to find someone with the right set of skills to take over on his invention and help him put a stop to his one-time protégé, Darren Cross (Corey Stoll), who has taken over his company and is now getting ready to unleash ‘Yellowjacket’; a special-suit threatening to endanger world order.
Much like last year’s Guardians of the Galaxy, the humour not only plays a large part of Ant-Man, but serves to be the driving force of the film. Embellished with a bold colour palette, Ant-Man looks fantastic it never becomes overbearing – something that many superhero’s tend to adopt. Written by Edgar Wright, Joe Cornish, Adam McKay and Rudd himself, Ant-man’s screenplay is engaging and smart enough to give the audience the time to get to know and invest in the characters fully.
Speaking of characters, the cast is superb and for those who had doubts that Rudd - yes, the same guy who plays Mike on Friends - could pull it off, will be pleasantly surprised. Sporting an impressive six-pack, Rudd is extremely likable – and flexible – as the eponymous character, while Douglas, as the scene-stealing scientist, is the quiet force of the film.
Playing out as more of a comedy than a straightforward super-hero action, Ant-Man never takes itself too seriously and, even though it’s not as visually grand or as explosive as any of the Avengers films, it is still more than capable of standing on its own. Two (unlikely) thumbs up. How Ant-Man will come to play apart in the wider plot of the Marvel Cinematic Universe will be interesting to see.
Like it or not, the Terminator franchise holds a special place in Hollywood history – thanks in part to Arnold Schwarzenegger. The once great franchise is arguably Arnie’s most iconic role and despite being three year away from his 70th birthday, the former Governor of California doesn’t look half-bad in the fifth, but far from final, instalment in the franchise.
Terminator Genisys is the first of what has been described as a new, standalone trilogy, but if the first film is anything to go by, fans will most likely be throwing their hands in despair at what’s to come.
Set initially the year 2029, the film’s main device is time travel and the butterfly effect – concepts that are becoming increasingly difficult to keep fresh and original. While co-creator, James Cameron, has unabashedly put his support behind the Alan Taylor-directed flick –going as far as to say that it has reinvigorated the franchise – Genisys only served to further dilute a series that just can’t keep up with contemporarily conceived sci-fi action.
The story opens with A.I. system, Skynet, all but defeated by the freedom fighters, lead by John Connor (Jason Clarke). In one last attempt to defeat the resistance, a T-800 Terminator is sent back to 1984 to kill John’s mother, Sarah (Emilia Clarke), who is of course under the protection of the Guardian (Schwarzenegger). What happens from then on is a bit of mystery.
Possibly the biggest problem of the film is that it tries far too hard to maintain elements of the original series and fails to do so well. While staying faithful to the films that have made the Terminator franchise so iconic is commendable, all references and lines of continuity feel forced and unsubtle, as if to say, “hey, look – we haven’t forgot the original!”
Seeing Arnie don the Terminator character once more is, in itself, a novelty – especially after the horrendous CGI used to resurrect him in 2009’s Terminator Salvation. But outside of that, you come away with very little when the end credits start to roll. The two Clarkes starring in the film hot the right notes in their performances, but suffer the convoluted script more than anyone.
While reboots, remakes and distant sequels have generally found success in the last few years – some commercially, some financially, some both – the fact that the film has only recouped half of its budget, which includes a marketing budget of at least $50 million dollars, speaks volumes about how tame and just plain unexciting this endeavour has been.