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How to Train your Dragon: Visually Captivating for the Child at Heart
Throw on your 3D glasses and allow your imagination to soar with the latest animation film by Dean DeBlois and Chris Sanders, the directing team that also worked side by side on Disney’s Mulan and Lilo & Stitch.
In their latest venture into the 3D animation world, How to Train your Dragon revolves around Hiccup Horrendous Haddock III (Buruchel), a young and immensely sweet young boy who has the ultimate dream of joining the Viking ranks alongside his father, Stoic the Vast (Butler). In the eyes of the humongous and steaming-attitude Stoic, young and clumsy Hiccup is not good enough to gain the Viking horns, and is better left to wield swords and stay out of Stoic’s way.
Taking place in a Viking village called Berk, the film guides you through Hiccup’s fight against disenchantment, evil and the ironies of life experienced by the 10-year-old boy that can apply to anyone, no matter the age.
The small yet brave Hiccup sets out on a personal journey that takes his quest to become a dragon-fighting Viking down a completely different path. The illuminating discovery that Hiccup stumbles upon not only changes his perspective on the Viking vs. Dragon world but burdens him with the responsibility of enlightening his community, which is bound to never listen.
In the meanwhile, Hiccup’s love for Astrid (Ferrera), a female Viking-in-training, keeps a lighthearted twist on an otherwise tumultuous and heavy journey for little Hiccup.
From Hiccup’s fight against the village’s ignorance to his surprising friendship formed with the Night Fury dragon, who he names Toothless, Hiccup’s journey is bound to enthral you with the young boy’s determination and courage to bring peace between both sides of Hiccup’s new found world.
The cinematography is empowering at times, including the incredible flying scene where Hiccup is mounted on the back of Toothless, flying through beautiful landscapes of a lush valley and bouncy clouds. Intricate details and textures are used throughout the entire film, leaving you reaching out for a feel, from the single strands of hair woven into Astrid’s braids to the wrinkle lines revealing the intensity of Stoic’s life.
While the ending might possibly tug at your emotions, How to Train your Dragon is capable of pulling you into the absolute beauty of a child’s imagination, which is often times squelched. You’re left wanting to be engaged with your childlike self and noticing the creatures around that we often forget about; from the tiniest of bug to the most gargantuan of dragon. Allow yourself to be there and take part in Hiccup’s story that is bound to teach you one thing or another.
Sinking the already-shaky horror-genre deeper into further oblivion, Ouija – based on a popular spirit-summoning board-game from the 1890’s – is, unfortunately, nothing to get excited about.
Written and directed by Stiles White – along with the penning support of Juliet Snowden – the story is centred on best friends, Laine (Cooke) and Debbie (Henning), who, ever since they were young girls, loved to indulge in a childish and seemingly harmless play using the Ouija board.
Several years later, however, Laine is shocked to learn that Debbie has killed herself and even more surprised to learn that – after visiting her home – that there is evidence of Debbie playing with the Ouija board all by herself; a big no-no in the world of spirits and magic. In order to get to resolve the mystery surrounding her death, Laine calls upon the help of her sister, Sarah (Coto), friend, Trevor, (Kagasoff) and Debbie’s boyfriend, Pete (Smith), to play with the Ouija board and summon Debbie’s spirit.
However, things turn upside down when they accidentally end up summoning an evil spirit who, unlike Debbie, wishes to spread harm upon the group. Now, Laine, who brought everyone into this mess in the first place, needs to find a way to shut the portal - between earth and the life beyond - before it’s too late.
Although the idea of turning a popular board-game into a movie doesn’t sound all that ridiculous and the material seems generally interesting, there just isn’t enough imagination or character in Ouija to make it worthwhile. Lacking depth and character, the film relies a little bit too much on the jump-scare tactic and the lack of suspense and tension only adds to its weak attempt to create a frightening horror experience.
Adding salt to the wound, the characters are just as weak thanks to the poorly-scripted material. Cooke leads the way as the only character of note and the relatively new face won’t have harmed her future prospects. The rest of the cast, unfortunately, simply don’t register and ultimately fail to convey a single genuine emotion.
Ouija is tedious, unimaginative and seemingly uninterested in elaborating and expanding on its own source material.
If you’ve enjoyed the type of quirkiness in 2009’s Coraline or the creepy-goofiness of 2012’s ParaNorman, then The Boxtrolls – the latest stop-motion creation and an adaptation of Alan Snow’s Here Be Monsters! novel – might be right up your alley.
Directed by Graham Annable and Anthony Stacchi, The Boxtrolls is set in a Victorian-like city of Cheesebridge. The residents, through scary and gruesome fables, believe there are deadly Boxtrolls living underneath their streets.
When a human boy goes missing, it is believed that the scary monsters from down-under have eaten him. Archibald Snatcher (voiced by Kingsley) – a sneaky pest exterminator – offers to go in and eradicate the threat himself, in the hope of gaining access to the elite society known as White Hats. However, the missing boy in question is in fact an orphan named Eggs (Hempstead-Wright), who has been living with the the so-called monsters ever since he was two years old and, just like them, he now spends most of his time collecting recycled trash and building various devices and gadgets out of them.
Luckily, Eggs and his faithful buddies are more than capable of staying out of trouble and far away from Archibald’s menacing grip; that is until, Eggs – a boy who is part-human and part-Boxtroll – lays his eyes on beautiful young human girl, Winnie Portley-Rind (Fanning), and instantly falls for her. However, Eggs begins to learn the hard way that his infatuation with her is going to cause him problems.
The latest production to come out of Laika studios – a renowned stop-motion animation company specialising in feature films – is another unique and quirky addition to the company’s filmography. Dark, whimsical and delightfully unconventional, The Boxtrolls sings to its own tune and succeeds in creating an original setting and a story that stays unique to Disney and Pixar. The time and effort that went into creating the world of Cheesebridge – and all of its peculiar, British-speaking residents – is evident.
Led by Game of Thrones’ Hempstead-Wright – better known as Bran Stark of Winterfell – the performances were equally solid and although Eggs could have had a little bit more spring to his step, it was Kingsley – as the deliciously evil exterminator – who steals the show along with Frost, Ayoade and Morgan, who provide the voices for Archibald’s thugs.
The Boxtrolls; it’s by no means groundbreaking, but it is an incredibly fun and unusual watch.