Sign in using your account with
How to Train your Dragon: Visually Captivating for the Child at Heart
Throw on your 3D glasses and allow your imagination to soar with the latest animation film by Dean DeBlois and Chris Sanders, the directing team that also worked side by side on Disney’s Mulan and Lilo & Stitch.
In their latest venture into the 3D animation world, How to Train your Dragon revolves around Hiccup Horrendous Haddock III (Buruchel), a young and immensely sweet young boy who has the ultimate dream of joining the Viking ranks alongside his father, Stoic the Vast (Butler). In the eyes of the humongous and steaming-attitude Stoic, young and clumsy Hiccup is not good enough to gain the Viking horns, and is better left to wield swords and stay out of Stoic’s way.
Taking place in a Viking village called Berk, the film guides you through Hiccup’s fight against disenchantment, evil and the ironies of life experienced by the 10-year-old boy that can apply to anyone, no matter the age.
The small yet brave Hiccup sets out on a personal journey that takes his quest to become a dragon-fighting Viking down a completely different path. The illuminating discovery that Hiccup stumbles upon not only changes his perspective on the Viking vs. Dragon world but burdens him with the responsibility of enlightening his community, which is bound to never listen.
In the meanwhile, Hiccup’s love for Astrid (Ferrera), a female Viking-in-training, keeps a lighthearted twist on an otherwise tumultuous and heavy journey for little Hiccup.
From Hiccup’s fight against the village’s ignorance to his surprising friendship formed with the Night Fury dragon, who he names Toothless, Hiccup’s journey is bound to enthral you with the young boy’s determination and courage to bring peace between both sides of Hiccup’s new found world.
The cinematography is empowering at times, including the incredible flying scene where Hiccup is mounted on the back of Toothless, flying through beautiful landscapes of a lush valley and bouncy clouds. Intricate details and textures are used throughout the entire film, leaving you reaching out for a feel, from the single strands of hair woven into Astrid’s braids to the wrinkle lines revealing the intensity of Stoic’s life.
While the ending might possibly tug at your emotions, How to Train your Dragon is capable of pulling you into the absolute beauty of a child’s imagination, which is often times squelched. You’re left wanting to be engaged with your childlike self and noticing the creatures around that we often forget about; from the tiniest of bug to the most gargantuan of dragon. Allow yourself to be there and take part in Hiccup’s story that is bound to teach you one thing or another.
Is love stronger than the laws of gravity? Well, that's one peculiar question that the Argentinean director, Juan Diego Solanas, attempts to answer in newest trippy sci-fi adventure, Upside Down.
Upside Down begins with an informative voiceover explaining the story of two parallel planets – Down and Up – that are stationed exactly opposite each other, existing in the same solar system, with shared yet opposing gravity. All physical matter must obey the gravity of the world from which it comes; both planets exert an equal, but opposite, pull and messing with these laws of physics can potentially result in deadly consequences.
While Down is poor and rundown, Up is rich and affluent; going Up or interacting with the people from Up is deeply forbidden, and the only thing bridging the two is the sinister company, TransWorld.
As a child, Adam (Sturgees) – a hopeful young boy from Down – climbs to the top of Sage Mountain to get close to Up, only to meet the pretty young blonde, Eden (Dunst), from the planet Up. The couple’s affections soon blossom; however, they also attract unwanted attention from the authorities. A bloody confrontation occurs, leaving the soul-mates stranded on their own individual planets for the next ten years.
The story then moves forward and Adam – who is convinced that Eden is gone forever – is working in a run-down lab, trying to perfect a secret, pink bee pollen ingredient he’s inherited; one that allows matter to detect the gravitational fields of both planets at once.
Soon, he lands a job at the intimidating TransWorld and finds that Eden is working there as well. However, in order to get to her, Adam needs to fight against strict corporate rules and against the forces of gravity to find his way into her arms again.
The concept is definitely unorthodox, but not entirely ridiculous. It's a rather creative concept, yes, but perhaps a little too grand for its own good.
The backdrop is not the problem here – it's the story itself. To begin with, this is a tale of star-crossed lovers who will do anything – even challenge the laws of gravity – in order to be with each other. However, their story never really gets a chance to develop, and thanks to a couple of ridiculous subplots and the overpowering presence of their parallel worlds – shot beautifully using CGI effects – it never gets a chance to evoke any sympathy from, or connection to, the audience.
Both Sturgees and Dunst share a decent amount of on-screen chemistry, but the characters get a little lost in their parallel worlds. With no real story to work with, Sturgees looks flustered and Dunst lacks the charisma and allure to draw the audiences in.
Packing in an enormous amount of visual thrills, Upside Down is quirky, original and pleasing to the eye. However, its overly ambitious approach manages to forsake the heart of the story – or rather, lack thereof.
From the creator of all-time classics such as The Lion King, Beauty and the Beast and the recent animated hit, How to Train Your Dragon, director Chris Sanders – along with writer and co-director Kirk DeMicco – has created a charming and colourful prehistoric-themed animation worthy of its hype.
The Croods follows the adventures of a prehistoric family – a clan of fearful cave-inhabitants who are afraid of, well, absolutely everything. The father and clan leader, Grug (Cage), constantly ignites fear into his family; the ever so inquisitive and fiery daughter Eep (Stone), dutiful wife, Ugga (Keener), panicky and chubby son, Thunk (Duke), and terror-baby, Sandy (Thom). He believes that fear is the only key to survival and insists on keeping his family locked in a rocky hole for the rest of their lives.
His strict rules and daily mantra, ‘never don't be afraid’, doesn't cause him too many problems with anyone but Eep, who cannot imagine living within the dark walls of the cave for the rest of her life. One night, on a secret quest for a new adventure, she meets Guy (Reynolds); a slightly more advanced caveman who has learned the secrets of fire, and is warned of a danger that is soon approaching.
Before long, Guy's premonitions come true in the form of a deadly earthquake, which ultimately sends the family on a hunt for a new place to call home.
Based on a story written by Monty Python's John Cleese, The Croods delivers a colourful and a lively coming-of-age story; one that is packed with interesting characters and many laughs. The script, although not as sharp or as engaging as one would hope, still manages to stand on its own two feet thanks to great vocal performances and spectacular visuals. Sanders and DeMicco make great use of 3D, bringing the various vibrant landscapes to life.
Refreshingly, Cage is funny and extremely compelling, while Stone, who resembles her character, is just as engaging. As the highly developed caveman, Reynolds gets by with just enough charm and swag to survive the ridicule.
In the end, The Croods is a thoroughly enjoyable experience and although it might not compare to the likes of Toy Sotry or Shrek, it still manages to deliver enough charm and wit to keep audiences – especially the younger ones – very happy.