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Wrath of the Titans: Bland Action Sequel
Hades (Fiennes) and Ares (Ramirez) have conspired to kidnap Zeus (Neeson) and use his power to break Kronos, king of the titans and father of Hades, Zeus and Poseidon (Huston), out of Tartarus, where his three sons had imprisoned him after they overthrew him. Only Perseus (Worthington), Zeus’ demigod son, can avert this calamity and save the world. Accompanied by Queen Andromeda (Pike) and Poseidon’s demigod son Agenor (Kebbell), the trio try to find a way to free Zeus from the underworld so he can help them in the fight against Kronos.
The film’s plot fulfils only one purpose: to connect the various fights and battle scenes together. Seriously, don’t question anything or you’ll uncover a ton of gaping plot holes. And while these fights are initially pretty cool, after Perseus has fought a chimera, Cyclops and a Minotaur, you start to get kind of bored and then there are still battles with Hades and Ares and Kronos to sit through. And while the fights /mythical creatures look good, there’s nothing particularly exceptional about them that’ll hold your attention for the entire film.
The film looks blandly pretty in a sand-strewn kind of way. Everything looks good but nothing stands out or grabs your attention. These swords and sandals flicks are a dime a dozen and after last year’s Immortals, the bar has been raised tremendously on eye popping visuals. Unoriginality seems to be a common thread here because the 3D is absolutely wasted. It’s mainly used only to chuck a bunch of rocks at the audience. There are some scenes that are pretty eye popping though. Perseus, Andromeda and Agenor trying to navigate their way through a labyrinth to get to Kronos comes to mind. The labyrinth’s walls shift, tilt and rearrange themselves while the trio try to get through it before they’re squeezed to a bloody pulp or tossed off the edge.
The most surprising thing about the film is how it’s filled with heavyweight actors who are barely recognisable. Both Fiennes and Nighy were unrecognisable under their costumes and wigs. But the problem wasn’t just in their appearance. These two actors who are usually pretty electric just weren’t even trying. And it wasn’t just them either. Worthington continues his quest to blend into the background of every film he’s in and Neeson sleepwalks through his dignified, wise man shtick.
Wrath of the Titans can be summed up in three words: beige, bland, and forgettable.
Scary Movie 5 – aka Scary MoVie – marks the latest and slightly belated entry to one of the laziest spoof series in the history of cinema. The franchise, which continues down a shameless road of riff-raff, turns its attention to recent box office hits such as Mama, Black Swan, Sinister, The Cabin in the Woods, Evil Dead and of course, Paranormal Activity.
The premise hasn't changed one bit, but the outlandish formula that may have once incited a few laughs – or at least some guilty chuckles – has finally reached a point of no return: rock bottom.
Scary Movie 5's so-called plot focuses on Jody (Tisdale) and Dan (Rex); a young married couple who have come to care for three young girls who, after the tragic disappearance of their father – Dan's older brother – spend most of their time living in 'the cabin in the woods'. They are feral and wild, and continue to creep everyone out with constant references to someone called 'Mama'.
Keen to rid the house of any unwanted demons, Jody and Dan wire up their house with multiple cameras – à la Paranormal Activity. Meanwhile, the couple struggle to tend to their careers; Dan keeps himself busy researching apes at a scientific facility run by scary boss, Martin (Crews), while Jody tries to resurrect her career as a ballerina – à la, yes you've guess it, Black Swan – and auditions for the lead in a production of 'Swan Lake', working opposite pole-dancing ballerina, Kendra (Ash).
This is the first film in the series that has not been moulded by the hands of original creators, the Wayans Brothers, who declined the invitation to return, and the franchise's charmingly nutty lead, Anna Faris, who is currently pregnant. Needless to say, the film suffers from both omissions and doesn't have the foolish charm that made the franchise so popular, showing little-to-no intelligence in its humour.
The plot is incredibly inconsistent and plays out as a series of unconnected set-pieces, each telling their own story, just for the sake of it. Seriously, how many more Paranormal Activity spoofs do we have to sit through?
Tisdale, who has some pretty big shoes to fill after Farris' departure, is appalling and she still hasn't shaken off her Disney roots. Rex is just as horrendous and although the film has several talented actors at its disposable – Morgan Freeman narrates – none of them are given the right material to work with. Even cameos by Snoop Dogg, Mike Tyson, Charlie Sheen and Lindsay Lohan all feel like missed opportunities.
Sitting in the wrong side of ridiculous, Scary Movie 5 is unfunny and too on-the-nose – wasting anymore column inches writing about it is infuriating.
Every now and then, a film comes along and leaves one completely spellbound and utterly speechless long after the end-credits roll. The Place Beyond the Pines is one such example.
Told in chapters, the story opens with the introduction of Luke Glanton (Gosling); a young motorcycle stunt driver working for a travelling carnival. During one of their stops in New York, he bumps into Ramona (Mendes); a girl with whom he’d had a one-night stand with during a previous rendezvous. He soon learns that he is the father of Ramona’s son, and despite the fact that she is now sharing a life with a boyfriend, Luke is determined to do his part and find a way to provide and care for them. He quits the carnival and befriends low-end mechanic, Robin (Mendelsohn), who convinces Luke that his stunt-riding skills might come in handy in pulling bank robberies.
The decision to venture into the world of crime ultimately puts Luke on the radar of Avery Cross (Cooper); a young police officer, and new father, whose story is focused on in the second chapter.
As the two men cross paths, their split-second decisions result in a life-altering moment that will not only have an impact on them, but on generations to come.
Director Derek Cianfrance – who had previously worked with Gosling in heavy 2010 indie drama, Blue Valentine – steps up to a much bigger canvas this time and still manages to delivering another incredibly stirring work of art. His carefully drawn world is compelling and unpredictable, and the unnerving and deeply moving score from composer, Mike Patton, only adds to the sense of dread that runs underneath the story's surface the whole way through. The consequences of one's decisions is the primary theme in this grand narrative and Cianfrance – with the penning support of Ben Coccio and Darius Marder – tells it in a way that feels natural and organic.
The Place Beyond the Pines has already been tipped for Oscar success, partly due to the fact that Cianfrance has managed to draw out some of the best performances of the year. Gosling – whose previous collaboration with the director proved to be some of his best work to date – is once again effortless, charismatic and utterly captivating. As a man who desperately wants to do the right thing, Gosling evokes an incredible amount of sympathy to his character while Cooper – who is slowly making his way to Hollywood elite status – delivers another magnetic performance. Even Mendes, in the role of a torn and distraught single mother, is confident, poised and manages to hold her own throughout.
Transfixing and poeti,c The Place Beyond the Pines is truly one of a kind. Viewers shouldn't be detered by its two-hour-plus running time; great stories like these take time to develop into epics and this is worth every minute.
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360 Tip: Rosamund Pike took over the role of Queen Andromeda when Alexa Davalos who’d played her in Clash of the Titans was unable to reprise the role.