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Wrath of the Titans: Bland Action Sequel
Hades (Fiennes) and Ares (Ramirez) have conspired to kidnap Zeus (Neeson) and use his power to break Kronos, king of the titans and father of Hades, Zeus and Poseidon (Huston), out of Tartarus, where his three sons had imprisoned him after they overthrew him. Only Perseus (Worthington), Zeus’ demigod son, can avert this calamity and save the world. Accompanied by Queen Andromeda (Pike) and Poseidon’s demigod son Agenor (Kebbell), the trio try to find a way to free Zeus from the underworld so he can help them in the fight against Kronos.
The film’s plot fulfils only one purpose: to connect the various fights and battle scenes together. Seriously, don’t question anything or you’ll uncover a ton of gaping plot holes. And while these fights are initially pretty cool, after Perseus has fought a chimera, Cyclops and a Minotaur, you start to get kind of bored and then there are still battles with Hades and Ares and Kronos to sit through. And while the fights /mythical creatures look good, there’s nothing particularly exceptional about them that’ll hold your attention for the entire film.
The film looks blandly pretty in a sand-strewn kind of way. Everything looks good but nothing stands out or grabs your attention. These swords and sandals flicks are a dime a dozen and after last year’s Immortals, the bar has been raised tremendously on eye popping visuals. Unoriginality seems to be a common thread here because the 3D is absolutely wasted. It’s mainly used only to chuck a bunch of rocks at the audience. There are some scenes that are pretty eye popping though. Perseus, Andromeda and Agenor trying to navigate their way through a labyrinth to get to Kronos comes to mind. The labyrinth’s walls shift, tilt and rearrange themselves while the trio try to get through it before they’re squeezed to a bloody pulp or tossed off the edge.
The most surprising thing about the film is how it’s filled with heavyweight actors who are barely recognisable. Both Fiennes and Nighy were unrecognisable under their costumes and wigs. But the problem wasn’t just in their appearance. These two actors who are usually pretty electric just weren’t even trying. And it wasn’t just them either. Worthington continues his quest to blend into the background of every film he’s in and Neeson sleepwalks through his dignified, wise man shtick.
Wrath of the Titans can be summed up in three words: beige, bland, and forgettable.
Rough around the edges and not as ‘focused’ is it could be (ha!), the team behind entertaining, but flawed, 2011 rom-com, Crazy, Stupid, Love, apply the comedy treatment to action flick, Focus.
This is not by any means an intellectually challenging film, but, no matter how predictable and fluffy its premise may be, it still boasts plenty of energy and holds enough charm to maintain engagement.
Jess Barrett (Robbie) is an inexperienced grifter, who – after trying and failing to con the ultimate conman himself, Nicky Spurgeon (Smith) – insists that he take her under his wing.
As Jess slowly proves herself, she is recruited by Nicky and his crew, though their business relationship briefly turns into a romantic one; but after a successful one million dollar heist during the Super Bowl in New Orleans, they part ways, leaving Jess heartbroken.
Three years down the line, the story moves to Buenos Aires where Nicky is preparing another huge con – so huge in fact, that he seeks out Jess once more.
Slick and glossy, Focus is best enjoyed if you don’t think too much about its inner-workings; if you do allow yourself to get way inside its shallow mechanisms, however, you’ll almost certainly walk away feeling a little underwhelmed with the entire experience. The dialogue is quite often sharp and witty, but the film isn’t in the same mould as the recent heist-clicks like Ocean’s Eleven; there’s more of a focus on the two main characters and their evolving relationship and it can be argued that this is one of its biggest mistakes for the simple reason that there just isn’t enough room for complex arcs in a film that brings a very particular type of action movie together with comedy.
Despite this, there are still plenty of memorable set-pieces and, as the dexterous and charming Nicky, Smith is his usual magnetic self, though he doesn’t stray far from his usual routine. Standing strong by his side is his equally magnetic Aussie co-star, Margot Robbie, who once again proves that she is capable of holding her own amongst some of Hollywood’s biggest names. The pairing, though seeming inapt at first, carries the film through to be a one-hundred-and-four minute of easy watching – it’s a typical cinema-and-popcorn movie that doesn’t try to be more than it is.
Arriving almost eleven years after its first big-screen adaptation with The SpongeBob SquarePants Movie, one of the most popular Nickelodeon series of all time has ventured onto the silver screen again.
Directed by Paul Tibbitt, Sponge Out of Water returns to Bikini Bottom, the story begins with Mr Square Pants and co learning that the infamous Krabby Patty formula – Krusty Krab’s signature recipe – has been stolen.
Krusty Krab’s nemesis, Plankton, is the first suspect, though it quickly becomes clear that he’s innocent. As things get desperate in Bikini Bottom, he’s even eventually convinced by SpongeBob to join the search for the missing recipe, with their adventure eventually leading the rag-tag team to ruthless pirate, Burger Beard – voiced by one Antonio Banderas – and forcing them to step out of the water and onto land.
Entertainingly silly, though at times perhaps a little testing, SpongeBob Out of Water is mainly targeted at the series’ existing fan-base; for those unfamiliar with the character and the story – whose seemingly abstract premise is hard enough to digest – might find it a bit hard to find any value in the film’s goofiness. It’s definitely a strange world to get sucked into, however, that doesn’t mean it’s not worth dipping your toes. Told through a series of more traditional and old-style animation storytelling methods and once again using live-action settings, there’s a cheerful, optimistic and at times even psychedelically euphoric quality about that is sure make the film appealing to both adults and children alike.
The jokes are aplenty and the humour is definitely one of its strongest points. However, the story does falter a bit in the third act – once SpongeBob and his buddies wash-up ashore and turn themselves into a group of modern-day superheroes – and the film loses energy and momentum. Nevertheless, the franchise has proven that it’s still going strong and, even though it might not win over any new fans, it will keep the old ones – which there are plenty of – very happy and satisfied.