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Wrath of the Titans: Bland Action Sequel
Hades (Fiennes) and Ares (Ramirez) have conspired to kidnap Zeus (Neeson) and use his power to break Kronos, king of the titans and father of Hades, Zeus and Poseidon (Huston), out of Tartarus, where his three sons had imprisoned him after they overthrew him. Only Perseus (Worthington), Zeus’ demigod son, can avert this calamity and save the world. Accompanied by Queen Andromeda (Pike) and Poseidon’s demigod son Agenor (Kebbell), the trio try to find a way to free Zeus from the underworld so he can help them in the fight against Kronos.
The film’s plot fulfils only one purpose: to connect the various fights and battle scenes together. Seriously, don’t question anything or you’ll uncover a ton of gaping plot holes. And while these fights are initially pretty cool, after Perseus has fought a chimera, Cyclops and a Minotaur, you start to get kind of bored and then there are still battles with Hades and Ares and Kronos to sit through. And while the fights /mythical creatures look good, there’s nothing particularly exceptional about them that’ll hold your attention for the entire film.
The film looks blandly pretty in a sand-strewn kind of way. Everything looks good but nothing stands out or grabs your attention. These swords and sandals flicks are a dime a dozen and after last year’s Immortals, the bar has been raised tremendously on eye popping visuals. Unoriginality seems to be a common thread here because the 3D is absolutely wasted. It’s mainly used only to chuck a bunch of rocks at the audience. There are some scenes that are pretty eye popping though. Perseus, Andromeda and Agenor trying to navigate their way through a labyrinth to get to Kronos comes to mind. The labyrinth’s walls shift, tilt and rearrange themselves while the trio try to get through it before they’re squeezed to a bloody pulp or tossed off the edge.
The most surprising thing about the film is how it’s filled with heavyweight actors who are barely recognisable. Both Fiennes and Nighy were unrecognisable under their costumes and wigs. But the problem wasn’t just in their appearance. These two actors who are usually pretty electric just weren’t even trying. And it wasn’t just them either. Worthington continues his quest to blend into the background of every film he’s in and Neeson sleepwalks through his dignified, wise man shtick.
Wrath of the Titans can be summed up in three words: beige, bland, and forgettable.
As far as buddy-comedies go, you can do a lot worse than Etan Cohen’s – not to be confused with the other Ethan of ‘Ethan & Joel Coen’ – partially entertaining and exceptionally raunchy Get Hard. Written by the director himself – along with the help of Jay Martel and Ian Roberts – the latest Ferrell & Hart coalition is promising of a few laughs, but, it’s definitely not for everyone.
The story is centered on a cheerfully unconcerned multimillionaire trader, James King (Ferrell) who is unexpectedly arrested for the suspicion of fraud and embezzlement. Outraged and willing to fight for his innocence, James soon finds out that his ‘type of people’ – you know the white-collar ones – are no longer protected by the judicial system and he is soon sentenced to ten years in a maximum security prison.
Scared and worried at what awaits him, James – who has been given thirty days to get his affairs in order - soon comes across Darnell Lewis (Hart); a straight and hard-working African-American who runs the car-cleaning service in the garage of James’ firm. Determined to get as much help as he can get, James turns to the only man he believes knows a thing or two about prison. However, what he doesn’t know is that Darnell – who is more than happy to accept the thirty-thousand-dollars payment – is just as naïve about life in prison as he is.
Get Hard is not original nor is it exceptionally funny. Its lack of creativity shows and its love for conventionality is at times a little hard to bear. However, in the midst of all the vulgarity it so shamelessly finds itself in – the prison-rape jokes as well as sexual assault humor is a little on the excessive side but plenty funny if you allow it to be - there is still enough room for laughter. The jokes – which involve a lot of ‘back-door’ talk and other seemingly offensive behavior which some viewers might find a little hard to sit-through – don’t always land where they’re supposed to but, when they do, the results are rewarding.
The one thing that keeps the movie from falling completely flat on its face is the genuine chemistry between the two leads who have managed to pour in some of their best work into the mix. Ferrell is well, Ferrell and his oblivious and not-as-annoying-as-you-may-think man-child works well against Hart’s snappiness and fast-moving energy and the duo, although, not the most easy-to-love characters, succeed in delivering the laughs.
It’s stupid, funny and rude. It works, almost.
Aimed primarily at young teens – or anyone else who thinks that watching Mean Girls is the next best thing since sliced bread - Kyle Newman’s latest entry comes in the form of an inexpertly created and awkwardly told teen-spy-high-school-comedy-drama, who’s painfully characterless and senseless ways are probably better off left unviewed.
Working from a script written by John D’Arco - previous writing experience includes a relatively successful romantic short story titled, A Grocery Story – Barely Lethal is centred on Megan Walsh (Steinfeld); a talented teenage special ops agent who was raised and trained in a special spy school for orphans called PRESCOTT. Taught and brought up by the devoted and no-nonsense trainer, Hardman (Jackson), Megan – along with her fellow orphans - including Heather (played by the Game of Thrones’ Sophie Turner), never really knew life outside the agency so, she spends most of her days dreaming of what it would be like to leave her current life behind and be a normal sixteen-year old American girl.
Luckily, she soon gets the chance to do just that and when a mission goes wrong and she is marked as MIA; seizing the opportunity, she quickly fakes her own death and enrols herself in high school as an exchange student. However, it turns out that life as a spy-assassin is a lot less complicated than a high-school kid, especially when a viral video exposes Megan to her arch-enemy - ruthless assassin Victoria Knox (Alba) - who is determined to wipe her out for good.
With a cast that includes the likes of Samuel L. Jackson, Jaime King, Jessica Alba and least but not least, Hailee Steinfeld – the talented actress who was nominated for an Oscar for her biting performance in 2010’s True Grit – it would only be natural for one to expect more from the proceedings. Unfortunately, Newman’s inexperience shows as Barely Lethal – a movie that tries to combine the teenage-spy genre with the appeal of a superficial high-school comedy– doesn’t seem to know how to get the best of both worlds, resulting in one disjointed, clichéd and forced piece of entertainment that lacks flavour and character.
The action – excluding Ms. Steinfeld’s superb physicality, combat skills and manoeuvres – is riddled with a cheap and shallow T.V quality-like special effects and not even the presence of someone like Mr. Sammy J – who to be fair has had some questionable roles in the past – can help keep it grounded. Everyone seems to be game, including Alba as the pitiless killer however, the story just isn’t strong, smart or witty enough to handle the pressure.
This is yet another movie that should have gone straight-to-DVD; it says its Barely Lethal, we say it’s barely watchable.