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Battleship: Humans Vs Aliens Action Flick
Summer is all but here and we have been blessed with another alien-action blockbuster based on a toy and no, this time around it’s not Transformers, though by the way this film’s been marketed, you’d think Battleship was an extension of the Transformers franchise; ‘Transformers at Sea’ if you will. And while the two films have several things in common, they’re also quite distinct. For one Transformers focuses on the robots - and truth be told, they’re pretty damn impressive - while on the other hand, Battleship, surprisingly, focuses more on the human characters. Neither of the films managed to combine the two - interesting robots/aliens and compelling humans that is- but the human element in Battleship makes it easier to get caught up and emotionally involved in the film.
NASA discovers a planet in a different solar system that has very similar conditions to Earth, conditions conducive to life, and promptly builds a satellite station in Hawaii to try and establish contact with any forms of extraterrestrial life that may be out there. The scientists discover the success of their experiment when five huge unidentified objects hurtle into our atmosphere. One takes out a huge chunk of Hong Kong while the rest crash land in the Pacific Ocean, off the coast of Hawaii, in the middle of a bunch of international navy fleets that have gathered for an exercise. A massive battle takes place between the aliens and the navy as the humans try and thwart the aliens’ attempts to communicate with their home base and send for reinforcements.
Since Battleship is being marketed towards the same demographic that made Transformers such a cash cow, you’d think they’d have put a bit more effort into their alien design. Firstly, their spaceships look like metal cubes, kind of like a rectangular version of the AllSpark cube in Transformers, and secondly, the aliens themselves look like tall, metal Power Rangers. Another thing is that it’s never really explained why the aliens come to Earth in the first place. All we get is the hypothesis that when the humans managed to establish contact, a few aliens decided to mosey on over here to check out our planet.. Thankfully, and this may be a product of entering the film with zero expectations, the humans mostly make up for the aliens and the general lacklustre visuals.
Kitsch plays Alex, a smart slacker with attitude issues who’s forced by his older brother, Stone (Skarsgard), to join him in the US Navy as a way of getting his life on track. Decker plays Samantha, Alex’s girlfriend, who’s a physical therapist and the daughter of the fleet’s captain. Thanks to the fact that the film clearly emphasizes Alex’s potential, his transformation from immature slacker to a bona fide leader is actually believable while Samantha, thankfully, gets to be more than just the token girlfriend and plays a large part in saving the planet as well. Rihanna makes her acting debut as a badass Navy officer named Raikes while Linklater plays Cal, a wimpy, nervous scientist and the source of most of the film’s comic relief.
The film as a whole takes a while to settle into its groove, but when it does it becomes quite engaging. By the final third, when the war reaches its peak, you’re actively rooting for the Navy and restraining yourself from cheering out loud and singing along to AC/DC. The film as a whole is far from perfect and is actually too uneven to be called good, but the final half hour is wall-to-wall fun, ending the film on a pretty high note.
Based on 2009 Oscar-winning Argentine film titled, El Secreto de sus Ojos, Billy Ray’s Hollywood adaptation of the original looked promising from the get-go thanks to its first-class cast. Nicole Kidman, Julia Roberts and Chiwetel Ejiofor are a formidable team and the plot – at least on paper – has enough gravitas to it to produce something solid. Unfortunately, it doesn’t quite work out that way.
As the man behind the screenplay to 2013’s Captain Phillips, Ray also penned the adaptation and opens proceedings in 2002 with FBI Agent, Ray Caston (Ejiofor), working together with friend and partner Jess Cobb (Roberts) in LA’s counter-terrorism taskforce one year after the events of 9/11. Together with Deputy DA Claire Sloan (Kidman) the task force is busy investigating an L.A-based mosque, looking for any possible criminal activity.
Everything soon changes when, during one of their surveillance routines, Raymond and Jess discover a murder victim near the mosque which turns out to be Jess’ teenage daughter. Thirteen years later, no one has been convicted of the murder, pushing Ray to take matters into his own hands after stumbling on new leads.
Jumping back and forth between 2002 and 2015, Secret in Their Eyes worksin terms of mood and setting; a film noir-like backdrop effectively conveys the grim topics. However, even though the film manages the moving timelines with a great deal of efficiency, there’s a formulaic and unimaginative approach to the basics of the plot which strips it of having any real impact. In addition, one too many subplots - including a romantic entanglement between Kidman and Ejiofor which never really sells - are introduced and instead of focusing on the working relationship and the bond between Ejiofor - a commendable lead - and Roberts - who is captivating as the grieving mother but, criminally underused - the film seemingly lends its focus on more trivial details.
Interesting but never as captivating as its synopsis suggests, Secret in Their Eyes is a decent dramatic thriller, but falls well short of the original – but then what remake ever does?
The fourth and final instalment in The Hunger Games film series is upon us and director Francis Lawrence has injected the closing chapter of Suzanne Collins’ best-selling dystopian adventure with a bit more heart and oomph than from what was witnessed in the first and rather dreary half of this two-part tale. However, although Mockingjay Part 2 is definitely a better and more exciting offering, it’s still not completely free of fault.
Mockingjay Part 2 picks up where Part 1 left off, with Katniss Everdeen (Lawrence) trying to recover after almost being choked to death by her former ‘lover’ and ally, Peeta (Hutcherson), who by the looks of things, seems to have been brainwashed and poisoned with thoughts of killing Katniss. Driven by the anger and her pure hatred for President Snow (Sutherland), Katniss soon escapes District 13 to join an assault on The Capitol under rebel leader, President Coin (Moore), only to discover that there is one last version of the Hunger Games still to play.
One thing’s for sure; Part 2 is a definite improvement over Part 1, which spent most of its time shifting about and setting things up for the big payoff. It’s a problem that we’ve seen before in the waves of adult-fiction novel adaptations – the first half spends so much energy in setting up the second that it fails to convince a stand-alone film. Although the pace picks up, there’s no sense of grandness to what is meant to be a huge finale and, actually, some may even feel underwhelmed by how the plot plays out.
On the plus side, the action is engaging and some of the battle scenes are staged with great attention to detail. In addition, Lawrence is, as always, her fantastic self and she’s once again the anchor on what has been a shaky ship.
As a story which has always attempted to frame the horrors of war through the eyes of a fiercely brave young heroine, so much more could have been done – much like the whole series, there’s something engaging about the finale, but it all feels like a chance missed.