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21 Jump Street: Ridiculously Fun & Hilarious Action Comedy
A purely emotional review of this film would consist of a lot of uppercase letters, a bunch of acronyms, hell yeahs, plenty of celebratory swear words and a positive slew of exclamation marks. However, we do have to be a bit more articulate than that, so here goes.
While 21 Jump Street may not be the ’best film ever’, it’s definitely the most fun we’ve had in the cinema this year – by a long shot. Jonah Hill and Channing Tatum play Schmidt and Jenko; a quintessential high school nerd and dumb jock, respectively. The duo manages to get over their mutual high school hatred of each other and bond in the Police Academy where they soon become partners and best friends. Due to their youthful appearances and highly immature ways, they’re stationed as undercover policemen in a high school where a new drug is going round; one that’s already resulted in the death of a student. Their assignment is to infiltrate the dealers and find the supplier before the drug spreads to any of the other schools. On their first day undercover though, they find that high school has completely changed. Nerds are now in, dumb jocks are out and the partners find themselves navigating through completely different high school experiences than their first time around.
What makes this film so much fun to watch is that Hill and Tatum are plainly having a ton of fun onscreen. The story is basically about two dorks who, despite their training in the Police Academy, still harbour a fantasy that being a policeman involves a ton of car chases, explosions and gunfights. They’re fundamentally immature and seem to think Die Hard is an accurate portrayal of an officer’s day to day life, but their attitude is infectious and watching the film is a rather exhilarating experience. The duo play off of each other perfectly; their comedic timing is impeccable and their relationship is so cute that at times, it’s touching. The film also has a solid supporting cast with Dave Franco as an eco-friendly drug dealer, Ice Cube as a pissed-off commanding officer, and a surprise cameo that is just too awesome to spoil!
The film isn’t just a comedy though, it has some pretty sweet action sequences as well. We get car chases, explosions, fist fights and shoot-outs galore. And despite the amount of action in the film, it’s doesn’t feel superfluous in anyway; it really manages to balance the fast pace action and humour – bringing out characters that you really end up caring for and sympathising with.
In conclusion, just go see it. It’s a ton of fun and it’s worth both your time and your money.
Peter Jackson’s fourteen-year-long Middle-Earth adventure has finally come to a close with the third and final instalment Bilgo Baggins’ journey with The Hobbit: The Battle of the Five Armies; a slightly bloated, but generally successful, finale that boasts plenty of action and technical superiority over its immediate predecessors.
Hitting the ground running and wasting no time in plunging audiences in the deep-end, The Battle of the Five Armies begins exactly where the second film left off, with Smaug (once again voiced superbly by Cumberbatch) setting Lake-town ablaze as Bilbo (Freeman), Thorin Oakenshield (Armitage) and his army of loyal dwarf-followers watch from the Lonely Mountain.
After escaping imprisonment, Bard (Evans) slays Smaug, leaving the endless treasures of the mountain unguarded for Bilbo, Thorin and co. to continue their quest. But as news spreads of Smaug's demise, the lure of the mountain's coveted riches triggers an inevitable path to war.
A With a running time of just over two hours, The Battle of the Five Armies is the shortest of all of The Hobbit entries, though it’s also the most ambitious and visually-creative of the lot. The cinematography is exquisite and the CGI techniques seem to have been pushed to their very limit.
The cast is, as always, steadfast and dependable with Armitage delivering a blockbuster performance as Thorin, though Freeman’s usual whimsical nature and superb comic timing is, surprisingly, underused. Similarly, the rest of the cast, including Lilly as the she-elf, Evans, as the newly-emerged leader of Lake-town, and McKellen take a back-seat.
With this being the finale, it plays out like a climax and is heavy on the action and not much else – as a standalone film, it may feel a little hollow for some, but for fans, it's a fittingly spectacular conclusion to the series.
The tension and atmosphere is palpable in Jim Mickle’s latest genre-bending thriller, Cold in July; a riveting and a deliciously twisted adaptation of Joe R. Lansdale’s crime-novel of the same name.
Set against a Texan backdrop, Cold in July takes place in the early 80’s and centres on a man dealing with the shock of having killed an intruder in his own home. Richard Dane (Hall) is a quiet and a good-mannered frame worker who live in a small town with his wife, Ann (Shaw), and their young son, Jordan (Hall).
His relatively mundane, but happy, life is sent into turmoil after the deadly confrontation. Despite being assured that the man he shot and killed was a wanted felon, his guilt pushes him to visit the cemetery in which his victim is buried, where he comes by the deceased’s father, Ray (Damici); a paroled convict who seems intent on avenging his son’s death.
If you’ve already had the pleasure of watching Jim Mickle’s efforts in the moody and the somewhat unconventional 2013’s thriller, We Are What We Are, then you probably already know what to expect from the director’s fourth entry.
Following three unconventional horror films, Jim Mickle manages to channel his bloodcurdling standards into something much more grounded without losing his penchant for the unsettling.
Grim, edgy and full of unpredictable twists and turns, Cold in July keeps its audience on its toes the entire way through. As the two main characters begin to interact, things become much more complicated and a potential case of mistaken identity propels the plot into more than just a revenge mission. Just as you think the leads figure out a piece to the puzzle, the story takes a new direction altogether.
Deeply-layered and underlined with a sense of unpredictability throughout, one of Cold in July’s biggest assets is the stellar performance of its cast, who, collectively, manage to keep the story authentic amidst the twists and turns. Leading the way is Hall, who is convincing as an everyman caught up in a violent world; Shepard is his usual fantastic self while Johnson – who comes in a little later into the story – is infectious as a detective with quintessential Texan predilections.
While this film is unlikely to make a huge mainstream impact, it serves as another example of Jim Mickle’s terribly underrated directorial prowess. Its slow, broody build-up doesn’t sit comfortably in the scope of modern thrillers, but given time, it unfolds into a unique piece of filmmaking that will linger with you for days, maybe even weeks, after the credits roll.