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21 Jump Street: Ridiculously Fun & Hilarious Action Comedy
A purely emotional review of this film would consist of a lot of uppercase letters, a bunch of acronyms, hell yeahs, plenty of celebratory swear words and a positive slew of exclamation marks. However, we do have to be a bit more articulate than that, so here goes.
While 21 Jump Street may not be the ’best film ever’, it’s definitely the most fun we’ve had in the cinema this year – by a long shot. Jonah Hill and Channing Tatum play Schmidt and Jenko; a quintessential high school nerd and dumb jock, respectively. The duo manages to get over their mutual high school hatred of each other and bond in the Police Academy where they soon become partners and best friends. Due to their youthful appearances and highly immature ways, they’re stationed as undercover policemen in a high school where a new drug is going round; one that’s already resulted in the death of a student. Their assignment is to infiltrate the dealers and find the supplier before the drug spreads to any of the other schools. On their first day undercover though, they find that high school has completely changed. Nerds are now in, dumb jocks are out and the partners find themselves navigating through completely different high school experiences than their first time around.
What makes this film so much fun to watch is that Hill and Tatum are plainly having a ton of fun onscreen. The story is basically about two dorks who, despite their training in the Police Academy, still harbour a fantasy that being a policeman involves a ton of car chases, explosions and gunfights. They’re fundamentally immature and seem to think Die Hard is an accurate portrayal of an officer’s day to day life, but their attitude is infectious and watching the film is a rather exhilarating experience. The duo play off of each other perfectly; their comedic timing is impeccable and their relationship is so cute that at times, it’s touching. The film also has a solid supporting cast with Dave Franco as an eco-friendly drug dealer, Ice Cube as a pissed-off commanding officer, and a surprise cameo that is just too awesome to spoil!
The film isn’t just a comedy though, it has some pretty sweet action sequences as well. We get car chases, explosions, fist fights and shoot-outs galore. And despite the amount of action in the film, it’s doesn’t feel superfluous in anyway; it really manages to balance the fast pace action and humour – bringing out characters that you really end up caring for and sympathising with.
In conclusion, just go see it. It’s a ton of fun and it’s worth both your time and your money.
Hollywood just can’t seem to get enough of Liam Neeson, and the 64 year-old Irish actor is reunites with Taken, Unknown and Non-Stop director, Jaume Collet-Serra, in the oddly enjoyable revenge-thriller, Run All Night.
On the surface, the film comes across as a typical Hollywood action set in the grimy underworld of criminals. But there’s much more at play and family and loyalty are the key themes behind the flawed, yet surprisingly moving and thrilling, script. Written by Brad Ingelsby, the story is centered on Jimmy Conlon (Neeson); a notorious ex-hit man who no longer works the trade of killing, but is still very much linked to his childhood-friend-turned-crime-boss, Shawn Maguire (Harris); a relationship that the tenacious Detective Harding (D’Onofrio) keeps a close eye on.
Things start to go awry for the regretful Jimmy when his estranged, aspiring boxer son, Mike (Kinnaman), witnesses Shawn’s son, Danny, commit a murder. Determined to eliminate any possibility of being found out, Danny goes after Mike and loyalties between the two fathers are tested.
Set in New York City, this is not just another Neeson’s special-set-of-skills affair; there is a genuine story here and a substantial amount of character development. Few actors can embody regret and emotional self-torture like Neeson and, though the film bears all the hallmarks of modern action flick , it gives it depth. Additionally, the film’s action segments are equally entertaining, if a little low on production values and Serra manages to make much use of the NYC backdrop by filling it with exciting chase sequences and ferocious shootouts
There’s an intangible electricity that sparks every now and again through the film – something that is owed almost entirely to the two leads. There’s something mesmerising about watching Neeson and the criminally underrated Ed Harris working opposite one another in their very-first onscreen appearance together. The two veterans share a fair amount of screen-time and a decent dose of chemistry, while D’Onofrio plays his part as a dedicated cop. And so despite a lack of any real originality, these elements all add up to give Run All Night all the gravitas it needs to keep its viewers happy and satisfied, if not intellectually challenged.
Channelling his inner-Liam Neeson, if you will, multi Oscar-winning actor and occasional humanitarian, Sean Penn, dips his toes into what is a new type of emerging genre: geriaction. While it’s unlikely that Hollywood executives and actors will be using it anytime soon, the term refers to action films starring ‘aging actors’. At 54, Penn is no spring chicken, but the California native is in tip-top shape for Pierre Morel’s surprisingly flavourless and action-less thriller, The Gunman.
The story follows special operative Jim Terrier (Penn); a mercenary stationed in Congo who provides security services for mining operations. During his time there, he meets and falls in love with a humanitarian-aid doctor, Annie (Trinca), who is also there offering medical support for those in need. However, when asked to liquidate the local Minister of Mining by his shady bosses, Cox (Rylance) and Felix (Bardem), Terrier must oblige. Soon after carrying out the hit, he flees the country without as much as a goodbye to Annie.
Eight years later, Jim is once again in Congo and soon becomes the target of an unknown hit squad. Barely making it out of there alive, he makes his way to London in order to seek out his old partners and see if they can help him figure out who is behind the mess. However, Jim’s digging and snooping is not entirely welcome and after finding his way to Annie once more, the wanted couple has no choice but to go on the run together to Barcelona where they hope to come up with a plan to get themselves out of the chaos.
One of the most surprising things about The Gunman is how its final onscreen realisation is nothing like what its trailers suggests. It’s painfully slow, very chatty – the dialogue is filled with political gobbledegook – and, in terms of action, well, there isn’t any. Apart from a couple of shockingly brutal and bloody exchanges, the rest of the story is pretty lifeless and uninspiring. On the upside, the film’s aesthetics – courtesy of cinematographer Flavio Martinez Labiano – is effective and its use of sharp and vibrant imagery adds the much-needed pizzazz to the story.
As for Mr. Penn, he spends most of the time trudging around looking bored, tired and oh yes, shirtless. His broodiness rarely translates into more than just looking plain expressionless. Then again, his stunt work is pretty impressive and there is a certain sense of gravitas that he brings to the table; unfortunately, just not enough energy to make us all care.