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21 Jump Street: Ridiculously Fun & Hilarious Action Comedy
A purely emotional review of this film would consist of a lot of uppercase letters, a bunch of acronyms, hell yeahs, plenty of celebratory swear words and a positive slew of exclamation marks. However, we do have to be a bit more articulate than that, so here goes.
While 21 Jump Street may not be the ’best film ever’, it’s definitely the most fun we’ve had in the cinema this year – by a long shot. Jonah Hill and Channing Tatum play Schmidt and Jenko; a quintessential high school nerd and dumb jock, respectively. The duo manages to get over their mutual high school hatred of each other and bond in the Police Academy where they soon become partners and best friends. Due to their youthful appearances and highly immature ways, they’re stationed as undercover policemen in a high school where a new drug is going round; one that’s already resulted in the death of a student. Their assignment is to infiltrate the dealers and find the supplier before the drug spreads to any of the other schools. On their first day undercover though, they find that high school has completely changed. Nerds are now in, dumb jocks are out and the partners find themselves navigating through completely different high school experiences than their first time around.
What makes this film so much fun to watch is that Hill and Tatum are plainly having a ton of fun onscreen. The story is basically about two dorks who, despite their training in the Police Academy, still harbour a fantasy that being a policeman involves a ton of car chases, explosions and gunfights. They’re fundamentally immature and seem to think Die Hard is an accurate portrayal of an officer’s day to day life, but their attitude is infectious and watching the film is a rather exhilarating experience. The duo play off of each other perfectly; their comedic timing is impeccable and their relationship is so cute that at times, it’s touching. The film also has a solid supporting cast with Dave Franco as an eco-friendly drug dealer, Ice Cube as a pissed-off commanding officer, and a surprise cameo that is just too awesome to spoil!
The film isn’t just a comedy though, it has some pretty sweet action sequences as well. We get car chases, explosions, fist fights and shoot-outs galore. And despite the amount of action in the film, it’s doesn’t feel superfluous in anyway; it really manages to balance the fast pace action and humour – bringing out characters that you really end up caring for and sympathising with.
In conclusion, just go see it. It’s a ton of fun and it’s worth both your time and your money.
Failing to develop its concept, writer-director James DeMonaco’s final chapter in the horror series, The Purge, the franchise has reached its final destination with a damp squib.
Set in year 2025, it’s once again time for the annual Purge; a government-sanctioned twelve hour period where anything, including murder, is allowed. Designed on the theory of keeping crime down for the rest of the year by letting people let loose, the New Founding Fathers of America - led by Caleb Warrens (Barry) - are big supporters of the occasion and look forward to it every year. However, Senator Charlene ‘Charlie’ Roan (Mitchell) is not exactly on board with the idea and having lost her entire family to the Purge eighteen years before, she’s determined to shut it down and eliminate the practice for good once she is elected President.
Naturally, Roan’s objections to the annual ‘cleansing’ doesn’t sit all too well with the Founding Fathers and order the assassination of the Senator during the upcoming Purge. Protected by Detective Barnes (Grillo), Roan’s security system is soon breached, forcing her and Barnes to flee and head to the streets where the annual violence has already begun.
Playing off of the same concept as the previous two films - except this time there seems to be very little creative direction from DeMonaco - there is an obvious lack of danger present in the mix, with the writing defiantly refusing to explore its premise beyond the aggression masked killers and bloody street violence. What was once a seemingly interesting idea that had theory behind it, now relies on a shock value that has simmered over the trilogy.
Offering a not-so-subtle political viewpoint, subjects such as racism, sexism and religion are integrated into the storyline, but are never really explored in the context of the film’s concept.
Adding to the story’s demise are performances from a cast who fail to evoke any emotion throughout the entire movie, let alone establish a connection with the audience. As the fearlessly-protective cop, Grillo is stiff and ends up taking the material given a little too seriously, while Mitchell is surprisingly hollow as the idealistic politician.
The rules of the game are unclear and the gaps in logic in DeMonaco’s flimsy screenplay are aplenty. Bloody, violent and ridiculously adrift, The Purge: Election Year has failed to cash in on its potential and has settled on a meandering ending to the series, reminding us all that it was probably never really that good to begin with.
As far as remakes are concerned, Paul Feig’s reboot of the 1984 supernatural comedy classic, Ghostbusters, is one of the better ones out there. Arriving twenty-seven years after the release of the first sequel, the Bridesmaids director has been given the honours of reintroducing the story to the modern audiences of today. The result? An entertaining and an admittedly funny reboot which, although nowhere near as spunky as the original, still has its own charms to lean back on.
The story begins with Dr. Erin Gilbert (Wiig); a respected physics professor who is only days away from receiving tenure at the Colombia University. However, she is soon pulled back into her previous life as a paranormal investigator when her old friend Aby Yates (McCarthy), who has decided to re-publish the book about ghosts they wrote together many years ago without her permission, returns to her life.
Worried what the release of the book might do to her academic career, Erin decides to confront Abby. However, she soon finds herself joining her old friend - and Abby’s new research partner, Jillian Holtzmann (McKinnon) - on a paranormal investigation at a reportedly haunted-house, during which they experience their first ghost-sighting.
Unfortunately, their encounter is labelled as a publicity stunt, forcing the three ladies - who soon welcome MTA employee, Patty Tolan (Jones) into their team - to create a plan of capturing ghosts as proof they exist. Meanwhile, creepy hotel janitor, Rowan (Casey) has been busy planting devices around NYC with the intention of opening the portal between the living and the dead.
Those who were not exactly on board with the idea of the all-female remake might not be completely taken in by Paul Feig’s latest attempt of bringing a modern twist to the beloved ghost-chasing franchise. However, the story’s amusing and refreshing stance, as well as its energetic vibe and slick special effects, are, overall, strong – the sum of its parts are, at least.
Stepping in for an all-male lead cast are four undeniably funny female comedians who show the willingness and the confidence in carrying the movie. Offering plenty of laughs and ghost-ass-kicking skills, McCarthy - delivering a pleasantly reserved performance - and Wiig are the strongest of the bunch with Jones and McKinnon falling as a close second. Unfortunately though, pointless cameos from the original cast never really resonate and actually distract and Casey’s villain is not as, let’s say, villainous as the story demanded him to be. In addition, the running gag on Hemsworth’s version of a dumb-blonde secretary is funny but, wears out thin pretty early on.
Nevertheless, Ghostbusters still manages to deliver. Embracing the spirit of the original whilst playing with its own modern bearings, the story serves to be a solid and thoroughly enjoyable take Ivan Reitman’s supernatural classic that even most of its hardcore haters might find hard not to love.