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21 Jump Street: Ridiculously Fun & Hilarious Action Comedy
A purely emotional review of this film would consist of a lot of uppercase letters, a bunch of acronyms, hell yeahs, plenty of celebratory swear words and a positive slew of exclamation marks. However, we do have to be a bit more articulate than that, so here goes.
While 21 Jump Street may not be the ’best film ever’, it’s definitely the most fun we’ve had in the cinema this year – by a long shot. Jonah Hill and Channing Tatum play Schmidt and Jenko; a quintessential high school nerd and dumb jock, respectively. The duo manages to get over their mutual high school hatred of each other and bond in the Police Academy where they soon become partners and best friends. Due to their youthful appearances and highly immature ways, they’re stationed as undercover policemen in a high school where a new drug is going round; one that’s already resulted in the death of a student. Their assignment is to infiltrate the dealers and find the supplier before the drug spreads to any of the other schools. On their first day undercover though, they find that high school has completely changed. Nerds are now in, dumb jocks are out and the partners find themselves navigating through completely different high school experiences than their first time around.
What makes this film so much fun to watch is that Hill and Tatum are plainly having a ton of fun onscreen. The story is basically about two dorks who, despite their training in the Police Academy, still harbour a fantasy that being a policeman involves a ton of car chases, explosions and gunfights. They’re fundamentally immature and seem to think Die Hard is an accurate portrayal of an officer’s day to day life, but their attitude is infectious and watching the film is a rather exhilarating experience. The duo play off of each other perfectly; their comedic timing is impeccable and their relationship is so cute that at times, it’s touching. The film also has a solid supporting cast with Dave Franco as an eco-friendly drug dealer, Ice Cube as a pissed-off commanding officer, and a surprise cameo that is just too awesome to spoil!
The film isn’t just a comedy though, it has some pretty sweet action sequences as well. We get car chases, explosions, fist fights and shoot-outs galore. And despite the amount of action in the film, it’s doesn’t feel superfluous in anyway; it really manages to balance the fast pace action and humour – bringing out characters that you really end up caring for and sympathising with.
In conclusion, just go see it. It’s a ton of fun and it’s worth both your time and your money.
The fourth and final instalment in The Hunger Games film series is upon us and director Francis Lawrence has injected the closing chapter of Suzanne Collins’ best-selling dystopian adventure with a bit more heart and oomph than from what was witnessed in the first and rather dreary half of this two-part tale. However, although Mockingjay Part 2 is definitely a better and more exciting offering, it’s still not completely free of fault.
Mockingjay Part 2 picks up where Part 1 left off, with Katniss Everdeen (Lawrence) trying to recover after almost being choked to death by her former ‘lover’ and ally, Peeta (Hutcherson), who by the looks of things, seems to have been brainwashed and poisoned with thoughts of killing Katniss. Driven by the anger and her pure hatred for President Snow (Sutherland), Katniss soon escapes District 13 to join an assault on The Capitol under rebel leader, President Coin (Moore), only to discover that there is one last version of the Hunger Games still to play.
One thing’s for sure; Part 2 is a definite improvement over Part 1, which spent most of its time shifting about and setting things up for the big payoff. It’s a problem that we’ve seen before in the waves of adult-fiction novel adaptations – the first half spends so much energy in setting up the second that it fails to convince a stand-alone film. Although the pace picks up, there’s no sense of grandness to what is meant to be a huge finale and, actually, some may even feel underwhelmed by how the plot plays out.
On the plus side, the action is engaging and some of the battle scenes are staged with great attention to detail. In addition, Lawrence is, as always, her fantastic self and she’s once again the anchor on what has been a shaky ship.
As a story which has always attempted to frame the horrors of war through the eyes of a fiercely brave young heroine, so much more could have been done – much like the whole series, there’s something engaging about the finale, but it all feels like a chance missed.
Undermined by predictability, culinary drama, Burnt is surprisingly bland and unexcitingly seasoned for a kitchen-based flick that sees Bradley Cooper step into the role of a bad-boy chef on the road to redemption.
Set in London - or at least some Hollywood version of it - the story follows Adam Jones (Cooper); a brilliant but arrogant chef who, after becoming embroiled in the drugs, alcohol and women of Paris, is eager to get his life back on track. After spending a few years doing penance in New Orleans, Adam arrives in London with the hopes of persuading restaurateur and friend, Tony (Bruhl), to give him another chance, so that he can try and build a brand name and give his greatest rival, Reece (Rhys) - who has also set up shop in the area - a run for his money.
Setting out to get his dream-team of cooks, Adam recruits a seemingly rag-tag team, including Michel (Sy) - a sous chef whose restaurant Adam sabotaged - as well as Max (Scarmarcio); an assistant-to-the-chef who has just recently been released from jail.
Directed by John Wells and written by Steven Knight, it is unlikeable characters that haunt this foodie-feature, which spends most of its running time following a fairly conventional setup. Playing to an awfully predictable beat of redemption, Burnt feels overwritten and undercooked at the same time - trying to squeeze in one too many subplots - and apart from a few wonderfully-shot close up food shots, there’s not much that can be considered exciting - or appetising – about watching Burnt unfold or watching one constantly dissatisfied and seemingly conceited chef at play.
Which brings us to the cast of Burnt; apart from Sienna Miller - who plays a single mom and a gifted sous chef with a romantic tie to Adam - and Emma Thomson as Adam’s therapist and counsellor, no one really has the space to perform.
Even Cooper himself fails to connect to the material given; channeling his inner Gordon Ramsey, there’s a lot of ego and profanity at display, but, unfortunately, not a lot of substance or meaning to warrant Burnt as a necessary viewing. This is not the first time Cooper has played the role of a chef; he starred in underrated sitcom, Kitchen Confidential, which was based on a best-selling book by infamous chef, Anthony Bourdain. Though it was cancelled after 13 episodes, the show also showed its main character as rebel with a talent – the only difference being that Kitchen Confidential had likeable characters, a jovial sense of humour and generally more heart. It's a shame; Bradley Cooper, Sienna Miller, Daniel Bruhl, Omar Sy, Emma Thompson is a great cast.