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21 Jump Street: Ridiculously Fun & Hilarious Action Comedy
A purely emotional review of this film would consist of a lot of uppercase letters, a bunch of acronyms, hell yeahs, plenty of celebratory swear words and a positive slew of exclamation marks. However, we do have to be a bit more articulate than that, so here goes.
While 21 Jump Street may not be the ’best film ever’, it’s definitely the most fun we’ve had in the cinema this year – by a long shot. Jonah Hill and Channing Tatum play Schmidt and Jenko; a quintessential high school nerd and dumb jock, respectively. The duo manages to get over their mutual high school hatred of each other and bond in the Police Academy where they soon become partners and best friends. Due to their youthful appearances and highly immature ways, they’re stationed as undercover policemen in a high school where a new drug is going round; one that’s already resulted in the death of a student. Their assignment is to infiltrate the dealers and find the supplier before the drug spreads to any of the other schools. On their first day undercover though, they find that high school has completely changed. Nerds are now in, dumb jocks are out and the partners find themselves navigating through completely different high school experiences than their first time around.
What makes this film so much fun to watch is that Hill and Tatum are plainly having a ton of fun onscreen. The story is basically about two dorks who, despite their training in the Police Academy, still harbour a fantasy that being a policeman involves a ton of car chases, explosions and gunfights. They’re fundamentally immature and seem to think Die Hard is an accurate portrayal of an officer’s day to day life, but their attitude is infectious and watching the film is a rather exhilarating experience. The duo play off of each other perfectly; their comedic timing is impeccable and their relationship is so cute that at times, it’s touching. The film also has a solid supporting cast with Dave Franco as an eco-friendly drug dealer, Ice Cube as a pissed-off commanding officer, and a surprise cameo that is just too awesome to spoil!
The film isn’t just a comedy though, it has some pretty sweet action sequences as well. We get car chases, explosions, fist fights and shoot-outs galore. And despite the amount of action in the film, it’s doesn’t feel superfluous in anyway; it really manages to balance the fast pace action and humour – bringing out characters that you really end up caring for and sympathising with.
In conclusion, just go see it. It’s a ton of fun and it’s worth both your time and your money.
Let’s dive in and get to the point; there is little-to-nothing new or innovative about Mark Neveldine’s young-woman-possessed-by-a-demonic-spirit offering in The Vatican Tapes – a generic and uncreative horror entry that fails to inspire, move or frighten.
The film begins with a brief video scene showing a possessed woman named Angela (Taylor Dudley), before switching back through the plot’s timeline to find the main character preparing to celebrate her birthday with boyfriend, Pete (Amedori). After unexpected visit from her God-fearing father, Roger (Scott), and a minor accident that sends her to the hospital, Angela begins to show some troubling signs of aggression and unusual behavior. We come to learn that this is the beginning of a systematic demonic takeover, which soon catches the attention of Father Lozano (Pena), who subsequently takes the case to the Vatican when he begins to suspect that Angela may have been chosen as a vessel for the Anti-Christ. Are you still with us?
The Vatican Tapes marks the very first horror film for the director of the Crank film series, Mark Neveldine whose seeming inexperience in the genre is evident throughout. Written by Christopher Borrelli and Michael C. Martin, there’s very little to the story – it’s as basic, straightforward and predictable as you can get – and its clumsy execution only goes on to exacerbate. Possessed (ha!) by a level of incoherence, the film and its undeveloped and plain uninteresting characters make it near impossible to invest in the film.
Told in flashbacks and with the shaky found-footage format that just refuses to go away, the plot never really finds its footing and seems rushed, making it awfully difficult to figure out what’s actually going on at times. Similarly, the acting suffers, especially the picture’s biggest name, Michael Pena, who seems uncomfortable in his own skin throughout.
With a reported budget of $13 million, the film has thus far only made $900,000 return and it wouldn’t be a surprise if the production failed to recoup its expenditures. But then what can you say for a film that, in some scenes, looks like it came from a Wayans brothers’ horror spoof in a sub-genre that hasn’t produced a film to top the one that started it all off, The Exorcist?
Ludicrous, crass but also undeniably fun,Ted 2 - the sequel to Seth MacFarlane’s successful 2012 comedy, Ted –proves to be a more consistent and better drawn-out affair than its predecessor, even if the jokes – which there never seems to be a shortage of– don’t always land where they’re supposed to.
Picking up shortly after the events of the first film, Ted 2 is once again centred on best-buds and avid stoners, John Bennett (Wahlberg) and his talking teddy bear, Ted (voiced by MacFarlane) who, as it turns out, don’t seem to be living out their happily-ever-afters with the women in their lives. See, John has divorced the love-of-his-life, Lori (Kunis), and Ted, who at the beginning of the film shares his “I Do’s” with his human-bride, Tami-Lynn (Barth), is in constant clashes with his new wife.
Deciding that the best way to reconcile and put an end to all the bickering is to start a family, Ted reaches out to his best-friend for help; a decision which soon proves rather messy. However, Ted’s civil rights are soon called in to question by the government who wish to brand Ted as property as oppose to a living thing, leaving John and Ted with no choice but to turn to the rookie – and pot-loving- lawyer, Samantha (Seyfried) for some legal help in an attempt to prove that Ted is a living being with rights of his own. Hence the tagline ‘Legalise Ted’.
Endless pop-culture references and MacFarlane’s distinct brand of abstract toilet humour is once again the integral part of the story. While the first film lent most of its focus on Wahlberg and his romance with Mila Kunis – the actress was written out of the script due to her pregnancy with husband Ashton Kutcher – Ted 2 shifts the focus onto the talking teddy and his battle to be recognised, essentially, as a human.
The decision to shift proves to be a smart move, although the film does tend to take itself a little too seriously at times; in addition, Wahlberg – whose deadpan delivery is almost always spot on – seems to shine more in his secondary role.
Ted 2 is neither ambitious nor smart and its jokes are often offensive and pretty vulgar. Nevertheless, it’s a fun goofy kind of vulgarity that will ensure more box office success and probably even a third film.