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21 Jump Street: Ridiculously Fun & Hilarious Action Comedy
A purely emotional review of this film would consist of a lot of uppercase letters, a bunch of acronyms, hell yeahs, plenty of celebratory swear words and a positive slew of exclamation marks. However, we do have to be a bit more articulate than that, so here goes.
While 21 Jump Street may not be the ’best film ever’, it’s definitely the most fun we’ve had in the cinema this year – by a long shot. Jonah Hill and Channing Tatum play Schmidt and Jenko; a quintessential high school nerd and dumb jock, respectively. The duo manages to get over their mutual high school hatred of each other and bond in the Police Academy where they soon become partners and best friends. Due to their youthful appearances and highly immature ways, they’re stationed as undercover policemen in a high school where a new drug is going round; one that’s already resulted in the death of a student. Their assignment is to infiltrate the dealers and find the supplier before the drug spreads to any of the other schools. On their first day undercover though, they find that high school has completely changed. Nerds are now in, dumb jocks are out and the partners find themselves navigating through completely different high school experiences than their first time around.
What makes this film so much fun to watch is that Hill and Tatum are plainly having a ton of fun onscreen. The story is basically about two dorks who, despite their training in the Police Academy, still harbour a fantasy that being a policeman involves a ton of car chases, explosions and gunfights. They’re fundamentally immature and seem to think Die Hard is an accurate portrayal of an officer’s day to day life, but their attitude is infectious and watching the film is a rather exhilarating experience. The duo play off of each other perfectly; their comedic timing is impeccable and their relationship is so cute that at times, it’s touching. The film also has a solid supporting cast with Dave Franco as an eco-friendly drug dealer, Ice Cube as a pissed-off commanding officer, and a surprise cameo that is just too awesome to spoil!
The film isn’t just a comedy though, it has some pretty sweet action sequences as well. We get car chases, explosions, fist fights and shoot-outs galore. And despite the amount of action in the film, it’s doesn’t feel superfluous in anyway; it really manages to balance the fast pace action and humour – bringing out characters that you really end up caring for and sympathising with.
In conclusion, just go see it. It’s a ton of fun and it’s worth both your time and your money.
Created and directed by award-winning animators, Helene Giraud and Thomas Szabo – and based on a popular French animated television series – Minuscule: Valley of the Lost Ants is a story of friendship and courage told entirely without words.
Set in the diminutive world of insects, the film opens with a sprawling and sun-drenched forest landscape setting, where wildlife is at peace.
After witnessing the birth of ladybug triplets, their very-first flying lesson and the ill-fated separation of the youngest offspring, the story brings its focus on an abandoned picnic, left behind by a live-action couple.
It doesn’t take long before a group of animated black ants move in, delighted to get their hands on a tin box of sugar cubes. However, before they can whizz off back to their colony with their newly-found treasure, they discover a ladybug trapped in the box.
Intrigued and fascinated by their discovery, the black ants quickly make friends with the little bug, who – as they will soon learn – is set to play an important role in their quest; their plan is intermitted by an army of evil red ants, who just like everyone else, wish to get their hands on the sugary fortune.
Unlike the more flashy and boisterous Hollywood animated, Minuscule takes a whole different approach to the matter. Simple, undemanding and dialogue-free, with no star-studded cast to fill the void, the story celebrates wildlife, relishing in the glorious beauty of Mother Nature.
Shot in 3D, the visuals are wonderful, but never overbearing. Everything from the cleverly-constructed creepy-crawlies, their boggy eyes and their indistinguishable voices, to the picturesque dense-forest scenery, makes the film a truly unique, unforgettable experience.
Playful and entertaining, Minuscule: Valley of the Lost Ants offers a terrific insight into the world of these hard-working and untiring little soldiers, who – not unlike humans – have their own barriers to cross and battles to conqueror.
Taking its cues from David Memet's provocative play, Sexual Perversity in Chicago, About Last Night is a remake of a 1986 Edward Zwick film. Being the latest romantic comedy claiming to take a deeper looks at the age-old subjects of love, sex and relationships, it holds just enough charm and humour to make it an admirable addition to cinema-cheese.
Set on the sunny-streets of L.A, the film follows two best friends; businessman Danny (Ealy) and his motor-mouth best friend, Bernie (Hart). Like many other men their age, the duo’s measure of success lays in how many women they hook up with and they naturally have no interest in looking for or finding ‘the one’.
However, things soon change for them both when Bernie meets the sexy and equally feisty, Joan (Hall), while his best-bud strikes up an immediate connection with Joan's beautiful roommate, Debbie (Bryant).
Time passes by and each couple have shared a fair amount of ups and downs in their respective relationships; Bernie and Joan's hot-headed union is on rocky grounds, while Danny and Debbie – who have moved from a one-night stand status to a full-blown live-in relationship – are questioning whether their relationship will weather the storm of uncertainty and returning exes.
The cast is well-fitted to this type of comedy and, thanks to their on-screen presence, they manage to convey their day-to-day hardships in a way the audiences can easily relate to. Vibrant and infectious, Hart – recently seen alongside Ice Cube in the buddy-cop comedy, Ride Along – puts his over-the-top energy to good use, whilst the dynamics shared with Hall is the movie's key draw. Meanwhile, Ealy's and Bryant's more sedate alliance - told through a gushy, overly-sentimental eye for romance – is satisfying as the meat of the plot, but not as exciting.
Directed by Hot Tub Machine's Steve Pink, the film’s premise is fairly familiar; boy-meets-girl, they share one night of steamy passion, fall in love, move in, before the inevitable question "am I ready for this?" reels its ugly head. However, despite its somewhat conventional and unsurprising setup, the script - written by Bachelorette's Leslye Headland – keeps things relatively light, humorous and, at times, even emotionally stirring.
About Last Night manages to put its own spin of realism and good-natured humour on the forever-entertaining, battle-of-the-sexes; forgettable yet extremely engaging, the dialogue, along with the cast's biting chemistry could easily set this as the best date-movie of the year, thus far.