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21 Jump Street: Ridiculously Fun & Hilarious Action Comedy
A purely emotional review of this film would consist of a lot of uppercase letters, a bunch of acronyms, hell yeahs, plenty of celebratory swear words and a positive slew of exclamation marks. However, we do have to be a bit more articulate than that, so here goes.
While 21 Jump Street may not be the ’best film ever’, it’s definitely the most fun we’ve had in the cinema this year – by a long shot. Jonah Hill and Channing Tatum play Schmidt and Jenko; a quintessential high school nerd and dumb jock, respectively. The duo manages to get over their mutual high school hatred of each other and bond in the Police Academy where they soon become partners and best friends. Due to their youthful appearances and highly immature ways, they’re stationed as undercover policemen in a high school where a new drug is going round; one that’s already resulted in the death of a student. Their assignment is to infiltrate the dealers and find the supplier before the drug spreads to any of the other schools. On their first day undercover though, they find that high school has completely changed. Nerds are now in, dumb jocks are out and the partners find themselves navigating through completely different high school experiences than their first time around.
What makes this film so much fun to watch is that Hill and Tatum are plainly having a ton of fun onscreen. The story is basically about two dorks who, despite their training in the Police Academy, still harbour a fantasy that being a policeman involves a ton of car chases, explosions and gunfights. They’re fundamentally immature and seem to think Die Hard is an accurate portrayal of an officer’s day to day life, but their attitude is infectious and watching the film is a rather exhilarating experience. The duo play off of each other perfectly; their comedic timing is impeccable and their relationship is so cute that at times, it’s touching. The film also has a solid supporting cast with Dave Franco as an eco-friendly drug dealer, Ice Cube as a pissed-off commanding officer, and a surprise cameo that is just too awesome to spoil!
The film isn’t just a comedy though, it has some pretty sweet action sequences as well. We get car chases, explosions, fist fights and shoot-outs galore. And despite the amount of action in the film, it’s doesn’t feel superfluous in anyway; it really manages to balance the fast pace action and humour – bringing out characters that you really end up caring for and sympathising with.
In conclusion, just go see it. It’s a ton of fun and it’s worth both your time and your money.
Based on real events, Love and Honor - Danny Mooney’s directorial debut – follows one American soldier in his fight for love. However, with it’s glossy, squeaky clean façade, the romantic drama does very little to stir the emotions within.
Set in the late 60’s, the story opens up in the jungles of South Vietnam where two soldiers, best buds Pvt. Mickey Wright (Hemsworth) and Pvt. Dalton Joiner (Stowell) are making their way through the hidden dangers of the tropical forest. Mickey and his arrogance ensures that Dalton – the more edgy of the two – keeps his cool and stays alive in order to return home to his long-time love and girlfriend, Jane (Teegarden).
After the twosome successfully escape the grips of death, they go on a leave of absence; the idea of exploring the Southeast Asian brothels seems like an appealing idea to Mickey, but after receiving a disturbing ‘Dear John’ letter from Jane, Dalton has other plans. Informing him that it’s better if they go their separate ways, Dalton is desperate to win her back, and decides to go home for the week with Mickey following for moral support.
However, upon their arrival they soon discover that the free-thinking youth movement has taken over, including Jane, who has now decided to go by ‘Juniper’. With their presence immediately causing negative attention, the soldiers claim to be peace-seekers deserters. This lie causes Juniper to rethink her feelings for Dalton, whilst Mickey finds comfort in the arms of her best-friend and fellow flower child, Candace (Palmer).
Pinned up high against the backdrop of the Vietnam War, Love and Honor hopes that the up-and-coming Aussie star, Liam Hemsworth will bring in the much-needed credibility and appeal. However, even he found it impossible to overcome the story’s careless script and mechanical ways. Hemsworth’s presence will undoubtedly leave young teenage fans weak at the knees, but as far as his performance goes, the young actor fails to turn the film into anything more meaningful than just another teenage-romance flick. The same goes for his partner-in-crime Stowell, although he managed to bring a bit more versatility to his role. As the boys’ love interest, Palmer and Teegarden were a little too playful and animated to be taken seriously.
The script, written by Jim Burnstein and Garrett K Schiff, plays out like a wistful and a rather tasteless Danielle Steel novel that would later be turned into a small TV-movie. It’s all a little too obvious and eager to please and everything from the costume department to the all too familiar soundtrack, which naturally includes both “Spirit in the Sky” and “Magic Carpet Ride”.
Love and Honor seems fake and insincere; any chances of it becoming a sweet and lovable romantic drama are completely diminished by its conventional, tasteless ways.
Based on a true story, The Frozen Ground comes from first-time writer and director, Scott Walker. The film focuses on serial killer, Robert Hansen; the man who brutally murdered between 17 and 21 young women during the late 70’s and early 80’s in Alaska.
With only two weeks away from his transfer out of the icy wilderness of the town of Anchorage, State Trooper Jack Holcombe (Cage) finds himself being pulled into the case of Cindy Paulson (Hudgens); a young prostitute who was discovered screaming and chained up in a hotel room, after an unpleasant encounter with local bakery owner, Richard Hansen (Cusack).
Much to the annoyance of his wife, Allie (Mitchell), Holcombe extends his stay to offer his expertise, especially since the local authorities seem to be getting nowhere with the case. Determined to help, Holcombe takes the troubled teen under his wing and examines all of the evidence at hand.
Despite having an alibi, all evidence points in the direction of Hansen – despite his reputation as a family man devoted to his community. But the deeper Holcombe digs, the more macabre the investigation becomes.
While Cage’s most recent career choices might not have been the wisest ones – see Stolen, Ghost Rider: Spirit of Vengeance and Trespass – the veteran actor proves to be a solid, reliable lead. His reserved and unforthcoming approach is refreshing, and with his hair relatively intact, Cage manages to stand strong in the face of a rather unfocused and fuzzy script.
Cusack – who last shared the screen with Cage in the 1997’s Con Air – is equally sound, as he manages to capture Hansen’s physical characteristics and threatening aura. Disney star, Hudgens, meanwhile infuses plenty of heart into the story as a young, damaged girl.
Despite the film’s relatively strong cast, Walker’s direction is a stumbling mess in comparison. Portraying a real-life story is often a challenge; audiences invariably know the outcome, so creating and maintaining a suspenseful plot is all the more tricky.
Unfortunately for Walker, the suspense and intrigue is weakened by gaping plot holes, needlessly gruesome detailand poor dialogue, which all ends up severely undermining the heart of the story.
The Frozen Ground is neither chilling nor as unsettling as it should have been. Although the film makes good use of the striking, wintry Alaskan landscape, it fails to both utilise the skills of its accomplished cast and, more importantly, it fails to bring what is a chilling true story to life.