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The Avengers: Believe the Hype
Fling a bunch of superheroes together and you either get the New Year’s Eve of superhero films or you get a slice of unbridled awesomeness. Thankfully, The Avengers, which crams Captain America, Thor, Iron Man, Black Widow and Hulk into one film without short-changing any one character, falls squarely into the latter camp. In fact, it’s mayor of that camp.
Exhibit one of its awesomeness: Scarlet Johansson’s Black Widow gets an introductory scene that is more badass than her entire Iron Man 2 arc and in fact, she’s one of the most awesome characters in the film. Exhibit Two: Gwyneth Paltrow’s Pepper Potts, with her entire three minutes of screen time, manages to come across as smart, hilarious and generally super cool; three things that can’t be said about her roles in both Iron Man films put together. Exhibit Three: Hulk, who was previously so mistreated by Hollywood that he needed a reboot instead of a sequel, is the most badass superhero in the line-up. Although Tom Hiddleston’s Loki, in all his power hungry, revenge seeking insanity, is a joy to watch.
The film’s plot is rather simple. Loki (Hiddleston), Thor’s (Hemsworth) brother, is out to take over the world and has assembled an alien army to do so. All he has to do is get his hands on the Tesseract - a super powerful energy source - and use it to open a portal through which his army can join him. Nick Fury (Jackson), director of S.H.I.E.L.D. decides to reactivate The Avengers initiative and calls on the world’s superheroes - Iron Man (Downey Jr), Captain America (Evans), Black Widow (Johansson), Hulk (Ruffalo), Thor and Hawkeye (Renner) - to counter this extraterrestrial threat. Despite the fact that they can barely stand each other, they’re forced to put their planet-sized egos aside to save the world from Loki’s dominion.
We could go on and on about everything that makes this film far superior than all the other superhero films that came before it, but it can really all be summed up in two points: the dialogue, and the visuals. The dialogue here has Joss Whedon written all over it. Seriously, anyone who’s watched one episode of Buffy, Angel, or Firefly will recognise his voice from the very first one liner. The relentless onslaught that follows only solidifies his status as the king of quips. This film is so hilarious, that you’ll frequently miss jokes because you’re laughing too hard at the one before. And no, they don’t all come from Iron Man. It also has to be said that the actors really prove their comedic skills here whether with outright jokes or more wry material.
As for the visuals, they’re Transformers good. It rivals anything Michael Bay has put out in sheer thrill factor alone. The main difference though, is that there’s space to breathe. In between all the mayhem and destruction, the characters get time to take a moment, get back on their feet, trot out an epic one liner then throw themselves back into the fray. It’s awesome! The combination of The Avengers’ skill sets makes for really interesting fight scenes where the characters’ personal fighting styles and weapons of choice come together in really exciting ways.
You don’t need to have seen each character’s films before seeing The Avengers but a basic knowledge of the superheroes is actually recommended - Thor and Loki in particular as it’s their relationship that drives the story. While not technically a sequel, it does tie all of the characters’ previous story arcs together and relies to an extent on the fact that the characters have all been established already.
Expanding from his 2006 short film, Oculus: Chapter 3- The Man with a Plan, director Mike Flanagan – along with help from writer Jeff Howard – approaches the subject of the supernatural with a considerable amount of imagination and manages to deliver some scares in the relatively unnerving ghostly thriller, Oculus.
The story follows the troubled lives of Tim (Thwaites) and Kaylie Russell (Gillan); a pair of siblings who witnessed the brutal death of their parents over a decade ago. Tim is convicted of the murders and is sent into protective custody and a psychiatric hospital, while Kaylie remains in a pit of despair without her family.
Years later, Tim is released on his twenty-first birthday and is now looking to rebuild his life and move away from his turbulent past. However, Kaylie has become convinced her brother was innocent and that something unnatural is at play.
Kaylie, who works at an auction house, has recently come across the very same oversized, 400 year-old mirror that she believes is responsible for their parents’ deaths. Moving back to their old house and installing surveillance equipment, Kaylie and Tim hope to record evidence of the supernatural being.
A Blumhouse Productions creation – the same people who brought you Paranormal Activity – Oculus, as luck would have it, steers clear of the increasingly overdone found-footage approach, despite what its trailer might suggest. Instead, director Mike Flanagan seems inspired by the horror films of the 70’s and 80’s, like recent flicks, The Conjuring and Sinister, and paints the mood of the film with a slow-burning tone of dread and an ominous fear of the unknown. The film transitions between the past and present wonderfully, all while keeping you on the edge of your seat.
Gillan, the Scottish-born actress known for her role in TV’s Doctor Who, proves to be a relatively solid lead and manages to paint Kaylie with an equal blend of self-determination and fear, while Thwaites’ doe-eyed qualities comes across as a little too sappy.
Sadly, Oculus is not without faults. The film is never fully realised as a story and although it provides its share of scare, it’s all really rather forgettable.
The follow up to Carlos Saldanha’s vibrant animated feature, Rio – a film that grossed over half a billion dollars at the box office - finds the Brazilian-born filmmaker returning to the pulsating streets of Rio Di Janeiro, before setting off into the wilderness of the Amazon.
Picking up some time after the end of the first film, Rio 2 finds the Blue Macaws, Blu (voiced by Eisenberg) and Jewel (Hathaway), happily married and living a carefree life while raising their three hatchlings, Carla (Crow), Bia (Stenberg) and Tiago (Gagnon), at the Blue Bird Sanctuary.
However, their children’s overly-domesticated habits begin to worry Jewel, who is fearful that her children are slowly losing touch with nature and what it means to be a bird. So, when she hears that there may be a flock of Blue Macaws living in the Amazon rainforest, the family decides to fly across for a vacation and a bit of an investigation.
Once there, not only does the family discover that there is more of their kind in the world, but that the flock is led by none other than Jewel’s long-lost father, Eduardo (Garcia). Jewel soon finds herself toying with the prospect of moving her family there for good, while Blu – who now must prove himself to Jewel’s apathetic and unconvinced father – isn’t too sure whether he’s ready to give up his life in Rio. Meanwhile, Blu’s lifelong nemesis, Nigel the Cockatoo (Clement), who is no longer able to fly, follows the family to the rainforest in search of revenge.
Eisenberg and Hathaway return to reprise their roles as the lovable Blu and Jewel and, although their shared chemistry can still be felt throughout, it seems that their second outing is not as charming as their first. Clement is hilarious as the grouchy Nigel, while all of the supporting characters, excluding Chenoweth’s hysterical performance as Gabi – a poisonous frog hopelessly in love with Nigel – aren’t given much of the spotlight, apart from indulging in a few impromptu sing-offs, including yet another cringe worthy rendition of Gloria Gaynor’s I Will Survive.
Just like the original, Rio 2 dazzles with its vibrant and bubbly tone; the opening scenes of the New Year’s Eve celebration on the bustling streets of Rio Di Janeiro are breathtaking and Saldanha, succeeds in adapting the alluring and captivating magic of Brazil.
The story, unfortunately, is not as engaging the second time around and Saldanha seems to have sent the story on a downward spiral the minute he decided to step out of Rio and move his flock of birds into the back woods of the Amazon rainforest.
There are still plenty of thrills and spills, but had it not been for the infectious Brazilian music and a handful of interesting characters, this would have been a complete washout.