Sign in using your account with
Escape Plan: Sylvester & Arnie Join Forces
Following the roaring success of The Expendables and its unnecessary sequel, Sylvester Stallone and Arnold Schwarzenegger team up for their first ever one-on-one, on-screen matchup in Escape Plan. Directed by Swedish filmmaker, Mikael Hafstrom – the man behind 2007 horror-thriller 1408 and 2005's Derailed – the film, unfortunately, falls short of both its promise and potential.
Ray Breslin (Stallone) is a highly skilful escape artist who specialises in testing the reliability of security systems used in maximum security prisons. As the co-owner of Breslin-Clark, with partner Lester Clark (D'Onofrio), Ray's job entails a few rather unconventional tasks; after gaining access to prisons, he escapes to highlight the security's faults.
His work soon draws attention from the CIA, who are keen to have the expert test a security system in their latest high-tech slammer. The multi-million dollar deal, however, doesn't sit well with Ray's devoted colleagues, Hush (50 Cent) and Abigail (Ryan), who find the whole thing a little suspicious. Despite his partners' hesitations, Ray agrees to the deal and soon finds himself sharing quarters with some of the most dangerous criminals in the world.
Soon after his arrival, and after the meeting with the prison's warden Hobbes (Caviezel), Ray senses that something is wrong; no one seems to know who he is or what he's there to accomplish. Realising that he needs to escape the as soon as possible, Ray befriends Emil Rottmayer (Schwarzenegger) and the duo soon learn that escaping the prison walls is not as easy as they think.
Never ones to shy away from the spotlight, it's surprising to learn that this long-awaited matchup has been in the works for quite some time. Therefore, it's even more surprising that neither actor appears fully connected to their roles. Seemingly set in their ways, both Stallone and Schwarzenegger rely heavily on a repertoire of cheesy one liners and overflowing bravado.
Additionally, almost every scene is shot with extreme close-ups, which proves rather unflattering for the time-worn stars. With very few action scenes, Stallone and Schwarzenegger are given little room to do what they do best. Meanwhile, despite being full of familiar faces, the supporting cast are neglected by the story, instead giving the spotlight to a watered down Sylvester and Arnie.
Escape Plan is filled with recognisable action film traits – but not the good kind. This is a film with a predictable plot, awful dialogue and far too many clichés, whose only potential redeeming features are equally downtrodden.
Formidable, heartfelt and elegant are just a few words one can use to describe Julianne Moore’s Oscar-winning performance as woman coming to grips with Alzheimer’s in Still Alice. Based on Lisa Genova’s novel of the same name, the devastating truths behind this silent yet deadly disease are passionately explored by the writing-directing duo Richard Glatzer and Wash Westmoreland, whose uncomplicated and honest portrayal provides the story with plenty of grace and power.
As a highly successful and respected professor of linguistics at Columbia University, the fifty year old Dr. Alice Howland (Moore) has always held a high regard for communication and the intricate workings of the human mind. There are only two things in life that she treasures the most; her sense of intellect – a part of herself that is constantly fed – and her husband, John (Baldwin), and their three children, Anna (Bosworth), Tom (Parrish) and Lydia (Stewart).
During a visit for a lecture, Alice soon begins to notice signs of memory loss after words fail her during her speech. A series of memory tests soon confirm the worst; a particularly rare Early-Onset Alzheimer’s disease with a genetic component, meaning her kids might have it, too.
Eating away at her one small bite at a time, Alice is determined not to let her disease erase everything she holds dear. However, as she descends further and further into her own absent-mind there is nothing anyone can do except sit and watch her disappear.
Still Alice’s story is straightforward, refreshingly honest and doesn’t play on sympathy in its approach to the lead character’s personal sense of shame and indignity as she falls further and further away from everything that has helped shape her into what she is today. Moore’s towering performance – a sublime and authentic one at that – carries the film and watching her confront this alienating illness is touching and heartbreaking.
It’s by no means a perfect film and its shortcomings, if you can even really call them that, come in the shape of the two-dimensionality of the other characters; Baldwin is a little plain as the caring but overly passive husband and Stewart is her emotionless self as the rebellious black sheep of the family.
However, whatever their weaknesses may be, the focus is on Moore and her riveting and beautifully-layered performance which ultimately, makes Still Alice a grand and striking drama.
Arriving almost eleven years after its first big-screen adaptation with The SpongeBob SquarePants Movie, one of the most popular Nickelodeon series of all time has ventured onto the silver screen again.
Directed by Paul Tibbitt, Sponge Out of Water returns to Bikini Bottom, the story begins with Mr Square Pants and co learning that the infamous Krabby Patty formula – Krusty Krab’s signature recipe – has been stolen.
Krusty Krab’s nemesis, Plankton, is the first suspect, though it quickly becomes clear that he’s innocent. As things get desperate in Bikini Bottom, he’s even eventually convinced by SpongeBob to join the search for the missing recipe, with their adventure eventually leading the rag-tag team to ruthless pirate, Burger Beard – voiced by one Antonio Banderas – and forcing them to step out of the water and onto land.
Entertainingly silly, though at times perhaps a little testing, SpongeBob Out of Water is mainly targeted at the series’ existing fan-base; for those unfamiliar with the character and the story – whose seemingly abstract premise is hard enough to digest – might find it a bit hard to find any value in the film’s goofiness. It’s definitely a strange world to get sucked into, however, that doesn’t mean it’s not worth dipping your toes. Told through a series of more traditional and old-style animation storytelling methods and once again using live-action settings, there’s a cheerful, optimistic and at times even psychedelically euphoric quality about that is sure make the film appealing to both adults and children alike.
The jokes are aplenty and the humour is definitely one of its strongest points. However, the story does falter a bit in the third act – once SpongeBob and his buddies wash-up ashore and turn themselves into a group of modern-day superheroes – and the film loses energy and momentum. Nevertheless, the franchise has proven that it’s still going strong and, even though it might not win over any new fans, it will keep the old ones – which there are plenty of – very happy and satisfied.