The Shins’ last release, Wincing the Night Away, confirmed the band's success in the underground world with a collection of songs that were both eclectic and humanly relatable. The soft, enchanting musicality of the album is part of what came to identify The Shins. Returning after five years with Port of Morrow, original member and now the only one left, James Mercer, collaborated with production guru Greg Kurstin on his latest endeavour.

The Shins found their extent of mainstream success after Natalie Portman promised that ‘New Slang’ would change Zach Braff’s life in the film ‘Garden State’. Since then, the band has been reduced to front-man Mercer on his own. The newly released album invites several guest characters to complete its overall pop-rock sound, however it is Mercer that does all the singing and song writing, as well as playing most of the instruments. Different from previous releases, Port of Morrow, is the first album to be produced by a large-scale record label (Columbia) and as a result the sound is just that; more produced.

The opening track, ‘The Rifle’s Spiral’ gives us Mercer’s signature, utterly recognisable voice but you can immediately tell how different this album is going to be. Unmistakably a mesh of pop, rock and distorted riffs, the overall sound is The Shins but in a different dimension; their psychedelic tendencies echoing in the background. ‘Simple Song’ is equally piled up with instruments and lyrics that give us advice like ‘you sure must be strong when you feel like an ocean warmed by the sun’ or he reassures us that ‘I know that things can really get rough when you go it alone’. Guitar riffs run back and forth, evocative of an 80s pop anthem; a piano appears jangling in the background before the whole song takes a step back; Mercer’s voice deepens, calms, and speaks more than sings. There’s an influx of sounds and varying musical approaches, switching from one to the other in no specific order or logic.

The hungry sounds of rock and pop infused together take a back seat with songs like ‘It’s Only Life’ where the beat is slowed and his singing almost romantic, with backing vocals oohing and aahing; as though someone is swaying a lighter side to side. ‘I’ve been down the road you’re walking now, it doesn’t have to be so dark and lonesome’ are more words of guidance, however it crosses the line of sweet and endearing to almost become cheesy.

‘September’ speaks much of The Shin’s original language; mellow with wispy riffs and soothing strumming. Mercer sings in a much more attractive deeper key and their signature psychedelic nuances speckle the undertones. Having gotten married over the past few years, this track seems to speak of that experience, sounding much like a love ballad with lines like ‘love is the ink in the well when her body dries’. In a similar fashion ‘For A Fool’ is also more relaxed; rich in lurching riffs and reflective melodies.

There is no question that the official Shin, James Mercer, has an unequivocal sound and musical personality. While we would have to concede that his previous albums were more endearing and ultimately hooking, Port of Morrow is still a nice reminder that even though they’ve been under the radar for several years, there is always hope for a comeback.