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Arrival

Arrival: An Intelligent, Complex Sci-Fi Thriller That Boasts Plenty of Heart

  • Amy AdamsForest Whitaker...
  • Science Fiction
  • Denis Villeneuve
reviewed by
Marija Loncarevic
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Arrival: An Intelligent, Complex Sci-Fi Thriller That Boasts Plenty of Heart

Those going in expecting an action-packed sci-fi adventure, complete with explosions, flying space-ship battles and a full-on war between humans and their extraterrestrial visitors, will be severely disappointed with Denis Villeneuve’s Arrival. Taking on a more philosophical approach to things, Arrival is an intelligent and a thought-provoking alien-invasion thriller which revels in its own complexity and manages strike all of the right chords, but for a few missteps.

Based on Ted Chiang’s short story titled Story of your Life, the film begins with the arrival of twelve mysterious alien spacecrafts which position themselves at twelve different locations around the globe, igniting fear and paranoia amongst the residents of Earth.

Recruited by Colonel Weber (Whittaker), linguist Louise Banks (Adams) – along with mathematician Ian Donnelly (Renner) – is brought to Montana to help deal with the possible threat by making contact with the aliens in order find out who they are and what their intentions may be.  

However, establishing communication with the visitors is not as easy as one would have hoped with Louise soon discovering that the aliens have their own language which uses symbols to communicate. Deciphering their tongue into a language they can understand is no easy task and with the threat of a global war between humans and aliens on the verge of a breakout, Louise must work hard to suppress her own personal demons in order to get the breakthrough she, and everyone else on the planet, needs.

Following his success with a character-driven drama like Prisoners and intense drug-thriller, Sicario, Villeneuve turns to sci-fi this time and manages to deliver yet another impressive – and by far the most ambitious – piece of work. Tackling some rather big questions about life, time and what makes us human, the script – written by Eric Heisserer – works as both a character-focused drama and a sweeping sci-fi adventure.  Drenched in an enigmatic aura of the unknown, the pacing is slow and purposeful with Villeneuve unraveling the story’s mysteries steadily but thoroughly, keeping the tension and momentum high, while composer Johann Johansson’s original score, infuses the story with plenty of atmosphere and mood.

Delivering yet another powerful performance, it’s not a stretch to say that Amy Adams is the true star of the show; embracing her character’s strength and vulnerability with plenty of presence and grace, Adams delivers on all fronts, while Renner, although not used as much, is quietly effective.

All in all, Arrival is a winner and although it does struggle a little bit with trying not getting too lost in its own complex ideas, it’s one of the most thought-provoking, touching and moving sci-fi films you will see this year. 

Like This? Try

Interstellar (2014), Close Encounters of the Third Kind (1977), Contact (1997)

360 Tip

Creating a fully functioning, visual, alien language, the production team managed to put together a 'logogram bible', which included over a hundred different completely operative logograms, seventy-one of which are actually featured in the movie.

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