Terminator Genisys: New Trilogy Gets Off to Shaky Start
- Arnold SchwarzeneggerByung-hun Lee...
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- آلان تايلور
- In 1 Cinema
Like it or not, the Terminator franchise holds a special place in Hollywood history – thanks in part to Arnold Schwarzenegger. The once great franchise is arguably Arnie’s most iconic role and despite being three year away from his 70th birthday, the former Governor of California doesn’t look half-bad in the fifth, but far from final, instalment in the franchise.
Terminator Genisys is the first of what has been described as a new, standalone trilogy, but if the first film is anything to go by, fans will most likely be throwing their hands in despair at what’s to come.
Set initially the year 2029, the film’s main device is time travel and the butterfly effect – concepts that are becoming increasingly difficult to keep fresh and original. While co-creator, James Cameron, has unabashedly put his support behind the Alan Taylor-directed flick –going as far as to say that it has reinvigorated the franchise – Genisys only served to further dilute a series that just can’t keep up with contemporarily conceived sci-fi action.
The story opens with A.I. system, Skynet, all but defeated by the freedom fighters, lead by John Connor (Jason Clarke). In one last attempt to defeat the resistance, a T-800 Terminator is sent back to 1984 to kill John’s mother, Sarah (Emilia Clarke), who is of course under the protection of the Guardian (Schwarzenegger). What happens from then on is a bit of mystery.
Possibly the biggest problem of the film is that it tries far too hard to maintain elements of the original series and fails to do so well. While staying faithful to the films that have made the Terminator franchise so iconic is commendable, all references and lines of continuity feel forced and unsubtle, as if to say, “hey, look – we haven’t forgot the original!”
Seeing Arnie don the Terminator character once more is, in itself, a novelty – especially after the horrendous CGI used to resurrect him in 2009’s Terminator Salvation. But outside of that, you come away with very little when the end credits start to roll. The two Clarkes starring in the film hot the right notes in their performances, but suffer the convoluted script more than anyone.
While reboots, remakes and distant sequels have generally found success in the last few years – some commercially, some financially, some both – the fact that the film has only recouped half of its budget, which includes a marketing budget of at least $50 million dollars, speaks volumes about how tame and just plain unexciting this endeavour has been.