The Vatican Tapes: Generic & Occasionally Silly Exorcism Horror
Djimon HounsouDougray Scott...
In 1 Cinema
Let’s dive in and get to the point; there is little-to-nothing new or innovative about Mark Neveldine’s young-woman-possessed-by-a-demonic-spirit offering in The Vatican Tapes – a generic and uncreative horror entry that fails to inspire, move or frighten.
The film begins with a brief video scene showing a possessed woman named Angela (Taylor Dudley), before switching back through the plot’s timeline to find the main character preparing to celebrate her birthday with boyfriend, Pete (Amedori). After unexpected visit from her God-fearing father, Roger (Scott), and a minor accident that sends her to the hospital, Angela begins to show some troubling signs of aggression and unusual behavior. We come to learn that this is the beginning of a systematic demonic takeover, which soon catches the attention of Father Lozano (Pena), who subsequently takes the case to the Vatican when he begins to suspect that Angela may have been chosen as a vessel for the Anti-Christ. Are you still with us?
The Vatican Tapes marks the very first horror film for the director of the Crank film series, Mark Neveldine whose seeming inexperience in the genre is evident throughout. Written by Christopher Borrelli and Michael C. Martin, there’s very little to the story – it’s as basic, straightforward and predictable as you can get – and its clumsy execution only goes on to exacerbate. Possessed (ha!) by a level of incoherence, the film and its undeveloped and plain uninteresting characters make it near impossible to invest in the film.
Told in flashbacks and with the shaky found-footage format that just refuses to go away, the plot never really finds its footing and seems rushed, making it awfully difficult to figure out what’s actually going on at times. Similarly, the acting suffers, especially the picture’s biggest name, Michael Pena, who seems uncomfortable in his own skin throughout.
With a reported budget of $13 million, the film has thus far only made $900,000 return and it wouldn’t be a surprise if the production failed to recoup its expenditures. But then what can you say for a film that, in some scenes, looks like it came from a Wayans brothers’ horror spoof in a sub-genre that hasn’t produced a film to top the one that started it all off, The Exorcist?