The Best Man Holiday: Naff but Nice Christmas Rom-Com
Monica CalhounTaye Diggs...
Malcolm D. Lee
Malcolm D. Lee’s sequel to his 1999 directorial debut, The Best Man, reunites fans with the now much-older college friends as they prepare for the upcoming Christmas holidays.
The film picks up fifteen years after the events of The Best Man, centring on Harper Stewart (Diggs); a one-time successful author who is struggling to make ends meet. Fertility treatment bills for his now pregnant wife, Robyn (Lathan), have set the couple back and Harper is unable to rely on the money from his decreasing book sales.
Meanwhile, his former best-friend and celebrated NFL star, Lance Sullivan (Chestnut), is on the verge of retirement. A devoted family man who shares his life with loving wife, Mia (Calhoun), and their four picture-perfect children, Lance puts his energy into having one last hurrah to cement his legacy before he steps out of the spotlight
With Christmas is just around corner, Mia sends out invitations to their shattered group of friends to spend the holidays with her and the family at their lavish estate; troubled couple, Julian (Perrineau) and Candace (Hall), party-girl and a reality TV star, Shelby (De Sousa), career-obsessed commitaphobe, Jordan (Long), and bad boy, Quentin (Howard).
Naturally, it doesn’t take much for tensions to rise, and the group soon finds itself between dealing and healing old wounds, which ultimately resurface questions of deceit, infidelity and secret sexual pasts.
The Best Man Holiday’s biggest strength lies in the hands of the cast, whose chemistry and wit infuse soul into the story. At the heart of it all is Diggs, who delivers a sincere performance of a man in search of forgiveness, while Lathan – as his pregnant wife – is just as charming in her role of a woman trying to support her husband through troubled times. Chestnut is a tad theatrical in some of the film’s more emotionally-charged scenes, unlike Calhoun, who handles her role with a welcome grace. However, the true star of the picture is Howard; funny and incredibly engaging, the Oscar-nominated actor has some the best lines and steals the show.
With so many characters, each with their own personal sup-plot and arc, the film strikes the perfect balance between them and every character gets apt screen time.
Although the story ends up bouncing from the funny to the dramatics in a blink of an eye towards the end, Lee manages to keep things interesting, despite the predictable plot and cheesy sentiment.