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London Boulevard

London Boulevard: Crime Drama that Misses the Mark

  • Colin FarrellKeira Knightley...
  • Drama
  • William Monahan
reviewed by
Omar Atef
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London Boulevard: Crime Drama that Misses the Mark

Based
on a novel, London Boulevard tells
the story of Mitchel (Farrell), who is released from prison and dreads his
inevitable encounter with the criminal roots of his past. As much as he tries to avoid
trouble, he falls right in when he becomes romantically involved with Charlotte
(Knightley), a young actress who has hired him as her bodyguard in some sort of
disturbing Whitney Houston-Kevin Costner arrangement. That may sound more like
a recipe for a sweet Beauty and the Beast romance, but complications swiftly
arrive in the form of Gant (Winston), the villain who will stop
at nothing to recruit Mitchel into his mob world.

Farrell,
to say the least, is a chronically inconsistent actor who
will star in one good film amidst several box office duds. Unfortunately, his effort in London Boulevard falls closer to a dud. Director William Monahan comes off more as a
misguided debuting director, and not as the Oscar-winning writer of 2006’s The Departed that he also is.

On paper, London Boulevard‘s plot is
solid, but it’s the pace of the film that drags it down. Although the
storyline and acting aren’t totally offensive to the senses, they definitely don’t
live up to the actors’ reputations. Farrell’s performance at times is a liitle contrived
and more fit for the theatre than for film, while Knightley plays it safe and
rarely comes out of her comfort zone. Furthermore, the couple’s onscreen
chemistry comes across as forced and fails to convince. Winstone’s
performance is overshadowed by a London cockney accent that is even more severe
than his real one.  

Technically,
this film falls under the crime genre, although there’s very little crime in
the film to justify this genre categorisation. London Boulevard  lacks the intense
actions sequences that some might be expecting, and it moves more like a film-noir;
dark, slow and broody. Overall, this
film lacks the pace, suspense and thrill to make waves at the box office,
and the script is almost too faithful to the novel to translate effectively onto the screen.

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360 Tip

William Monahan’s next project is a far cry from London gangsters; Becket tells the story of the twelfth-century Archbishop of Canterbury who enraged King Henry II by daring to cross him.

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