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Interstellar
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Interstellar

  • starring
    Anne HathawayCasey AffleckJessica ChastainMatt DamonMatthew McConaugheyMichael CaineTopher Grace
  • genre
    Science Fiction
  • director
    Christopher Nolan
  • writer
    Christopher NolanJonathan Nolan
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About Movie

A group of explorers make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.

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2 user reviews
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Mohamad El-Wakeel

Black holes, relativity, singularity, the fifth dimension! The talk is grand. There’s a problem, however. Delivered in rushed colloquial style, much of this fabulous arcana, central to the plot, is hard to understand, and some of it is hard to hear. The composer Hans Zimmer produces monstrous swells of organ music that occasionally smother the words like lava. The actors seem overmatched by the production.

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Mohamad.El-Wakeel

Interstellar is Nolan’s best and most brazenly ambitious film to date. Doubling down on the Kubrick comparisons, he’s made his own sweeping space odyssey in which a team of astronauts, led by Matthew McConaughey’s stoically smouldering Coop, venture into the great beyond in search of a new home for humanity. Starlight whirls, planets rock on their axes, and spacecraft cartwheel through nothingness, all soundtracked by a reverential Hans Zimmer score that’s equal parts Johann Strauss and Philip Glass. 

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2 thoughts on “Interstellar

  1. Great Movie

    Interstellar is Nolan’s best and most brazenly ambitious film to date. Doubling down on the Kubrick comparisons, he’s made his own sweeping space odyssey in which a team of astronauts, led by Matthew McConaughey’s stoically smouldering Coop, venture into the great beyond in search of a new home for humanity. Starlight whirls, planets rock on their axes, and spacecraft cartwheel through nothingness, all soundtracked by a reverential Hans Zimmer score that’s equal parts Johann Strauss and Philip Glass. 

  2. Nice to watch

    Black holes, relativity, singularity, the fifth dimension! The talk is grand. There’s a problem, however. Delivered in rushed colloquial style, much of this fabulous arcana, central to the plot, is hard to understand, and some of it is hard to hear. The composer Hans Zimmer produces monstrous swells of organ music that occasionally smother the words like lava. The actors seem overmatched by the production.

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