Ah, horror sequels – what can you say about them that haven't been said before? We're at a point now where not even the most ardent and committed of horror fans can argue the notion that sequels in this particular genre of filmmaking are largely motivated by the prospect of a huge cash-in at the box office. It's understandable; filmmakers need to make films that make money so that they can make more films.

There are occasions, however, where that motivation is all too obvious and Sinister 2 suffers exactly that. Following on from the relatively unnerving original starring Ethan Hawke, to call this a sequel would be giving the script far too much credit; there are no new ideas or even any kind of continuation with the story of the film's antagonist, Bughuul.

In the first film, we're told that Bughuul possesses a child, who then goes on to murder his or her family. The house in which the murder takes place is then essentially haunted, driving the next tenants – who discover videos of the previous murders – away, but back into the arms of Bughuul, where they are murdered by, again, one of the children – and so on and so forth. There are various small details in between the cracks of this vicious cycle – violent dreams, creepy twins, a clan of ghost-kids – but the problem with Sinister 2 is that it revisits all of these elements and expects you to be okay with that. It's not okay; in fact, it's terrible. This 'sequel' essentially retreads the same skeleton of the plot and, because of a typically rosy ending, is far inferior in terms suspense and expectation – it's the same but nowhere near as good, is what this review title could have read.

The only glimmer of light to come through the film is the performance of James Ransone, who reprises what was peripheral role in the original as the nameless deputy. There's a real sense of the character – credited as Deputy So & So – being a kind-hearted, lone-wolf gun-slinger who wants to do good and is often misunderstood because of it. He's worn-out, he's tired and he's always on the move. Aesthetically, the film hits the right notes – but, again, there are no surprises; the family lives in an old, creaky farmhouse, for example.

If ever there was a perfect example of the misguided nature of the film sequel, Sinister 2 is it. You can commend a sequel for trying to build on and expand the original, but this film seems to have regressed.